Sacred Bones is home to many quirky acts; artists that have the very best of the alternative outlook on music and life. Amongst Zola Jesus and John Carpenter plus the one and only David Lynch, the Irish songstress Hilary Woods feels like she belongs.
‘Colt’ is a very private and mysterious debut album, “an intensely personal journey through grief, abandonment, and mutating love”. Continue Reading ›
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Since ELECTRICITYCLUB.CO.UK caught THE SOFT MOON at the beginning of the year for their London date at The Dome in Tufnell Park, the act has been touring constantly in support of new album ‘Criminal’.
Essentially the one-man project of Oakland multi-instrumentalist Luis Vasquez, he kindly took time out from his busy schedule to discuss the challenges of making of 'Criminal'. Continue Reading ›
Along with artists such as GRAFTON PRIMARY, CUT COPY and VAN SHE, THE PRESETS were part of the first wave of early millennial Antipodean electronic artists to start having global success.
Formed of Julian Hamilton (vocals and synths) and Kim Moyes (drums and synths), activity in THE PRESETS camp started to ramp up again at the end of 2017. Continue Reading ›
When London based electronic disco duo HEARTBREAK first appeared, they prided themselves on being “kind of how the 80s would sound today if the 90s hadn't got in the way”. HEARTBREAK went into hiatus with just one album 'Lies' to their name.
The duo kindly chatted about what has been happening over the last few years within the HEARTBREAK camp. Continue Reading ›
Avant garde trumpeter and composer Jon Hassell is best known for his collaborations with Brian Eno and David Sylvian. His ‘Fourth World, Volume 1: Possible Musics’ with Eno from 1980 is now considered a landmark in ambient and world music, combining airy electronic treatments on his trumpet with drones and sombre percussive colours often derived from ancient ghatams.
Very much a sound painter, Hassell’s new album ‘Listening To Pictures’ introduces his idea of Vertical Listening. Continue Reading ›
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