Tag: Scritti Politti

HEAVEN 17 + SCRITTI POLITTI Live at Virgin40

The Way It Was In The Past, A Long Long Time Ago… Virgin Records continued its 40th Anniversary celebrations with a special concert at London’s Koko featuring HEAVEN 17 and SCRITTI POLITTI, two of the label’s funkier exponents of electronic pop.

Billed as ‘Martyn Ware Presents…’, while HEAVEN 17 were the headline house band for the night, the song choices focussed on his early career including his time as a founder member of THE HUMAN LEAGUE.

Signing to Virgin Records in 1979, during this period with Ian Craig Marsh and Phil Oakey, he was involved in the making of two seminal synth works ‘Reproduction’ and ‘Travelogue’; the latter bore the legend “Contains synthesizers + vocals only” on its back sleeve in response to QUEEN’s “no synthesizers” pronouncement on their albums.

Under the A&R directorship of Simon Draper, the label had the vision and foresight to realise that THE HUMAN LEAGUE’s sound was “the future of pop music”. But the lack of commercial success at the time led to a split in 1980 with Phil Oakey who then recruited two girls Joanne Catherall and Susanne Sulley to record the massive selling ‘Dare’. Meanwhile Martyn Ware and Ian Craig Marsh formed BRITISH ELECTRIC FOUNDATION and its pop subsidiary HEAVEN 17 featuring Glenn Gregory; the highly acclaimed debut LP ‘Penthouse & Pavement’ was the end result.

Before this retrospective show began, first there was a rare live appearance by SCRITTI POLITTI, the politically aware musical collective led by Green Gartside.

Their ‘Cupid & Psyche 85’ was one of Virgin’s biggest sellers in 1985.

But ever the passive rebel, Green started with ‘The Sweetest Girl’ from Scritti’s debut ‘Songs To Remember’… released on Rough Trade!

After a crisp performance of that cult classic which was later covered by MADNESS, he recalled how the tune had been written in a Communist League squat just round the corner from Koko… “Happy times” he quipped! He then followed it with ‘A Day Late & A Dollar Short’ which was written on a beach in LA… ”Happy times” quipped Gartside again, the irony not lost on him!

From the “reggae / pop / post-modernism” of ‘The Word Girl’ and the rock infused ‘Umm’ to the rap influenced ‘Die Alone’ during which Green treated the audience to his Moss Def impersonation, the sound was punchy and dynamic.

Of course, the dynamics came to the fore with two of Scritti’s biggest hits ‘Wood Beez’ and ‘Absolute’. Both Arif Mardin productions were faithfully reconstructed in that memorable sub-ART OF NOISE stylee for the eager Koko crowd.

Throughout, Green’s distinctive raspy timbre was in fine shape and although comparatively stage shy, his down-to-earth demeanour was warm and appealing. SCRITTI POLITTI should go out on the road more often because based on the crowd’s reaction, this performance was met with much gleeful approval and enthusiasm.

In the pre-show build-up, HEAVEN 17’s MD Martyn Ware had promised renditions of songs from his tenure with THE HUMAN LEAGUE.

Although several early League staples such as ‘Being Boiled’, ‘The Black Hit Of Space’ and ‘Crow & A Baby’ have been regular fixtures in HEAVEN 17’s live set for several years now, tonight’s celebratory atmosphere was the perfect occasion to dust off a number of fine but little heard examples of electronic innovation for a concert setting.

Thus, one of THE HUMAN LEAGUE’s earliest compositions ‘Circus Of Death’ opened the set. In its ‘Reproduction’ form with its spoken introduction by LWT announcer Peter Lewis, the clattering dystopia and narcotic doom delivered charismatically by Glenn Gregory

His bass delivery wasn’t actually that far removed from Phil Oakey’s sombre baritone.

Glenn Gregory said to ELECTRICITYCLUB.CO.UK last Autumn: “It’s funny because it’s me that pushes that HUMAN LEAGUE thing and I love that early stuff… I’ve been on at Phil Oakey every time I see him saying: ‘Please Phil; you, Martyn and Ian… go and do the first two albums, just do it once’. But he won’t have it! I would have my ticket and be at the front weeks in advance…”

So as Phil Oakey doesn’t want to do it, it is for Martyn Ware to rightly highlight his pioneering contribution to Synth Britannia and for Glenn Gregory to be on the stage, rather than in the audience. And in a bizarre way tonight, HEAVEN 17’s live personnel surreally amalgamated THE HUMAN LEAGUE Mks I and II with the gorgeous Berenice Scott deputising for a still AWOL Ian Craig Marsh (whose birthday it coincidentally was) while the glamourous duo of Billie Godfrey and Rachel Mosleh played soulsista variants of Joanne and Susanne!

The beginning of the set was loaded with surprises as a stupendous ‘Marianne’ from the ‘Travelogue’ era EP ‘Holiday 80’ ripped from the speakers.

On good form with his backing vocals, Martyn Ware took centre stage himself by doing his best Iggy impression on ‘Nightclubbing’ from the same EP.

Always an important part of the early HUMAN LEAGUE and HEAVEN 17 vocal set-up, Martyn proved himself to be a competent lead vocalist so Mr Gregory needs to watch out 😉

Martyn remained on the mic to duet with Glenn on their now customary rendition of another League cover favourite ‘You’ve Lost That Loving Feeling’. But of course, it was the premieres of Da League’s early standards that everyone was waiting for.

Those came with a slower, dark variation of ‘Empire State Human’ (as programmed by Vince Clarke for the ‘Naked As Advertised – Versions 08’ CD) and best of all, ‘WXJL Tonight’. A song about the mechanisation of radio stations which today is only too apparent, Glenn gave a marvellously soulful interpretation which Martyn likened to Neil Diamond. Closing with a reworked cover of Mick Ronson’s ‘Only After Dark’ and naturally, ‘Being Boiled’, the ten song set was a total triumph.

Of course, performing so many songs for the first time, there was bound to be a few missed cues from those concerned although these came more from the boys rather than the girls! But these slight fluffs added to the charm and good natured feel of the evening.

To follow that initial crescendo, there was then the surefire pleasure (one) of  HEAVEN 17’s greatest hits and more in the second half, including a toughened up ‘Fascist Groove Thang’ with its CHEMICAL BROTHERS vibe.

From a club friendly ‘Let’s All Make A Bomb’ to a euphoric extended ‘Temptation’, coupled with those early HUMAN LEAGUE songs, this was an unforgettable programme. Certainly as a live act, HEAVEN 17 are a far much more fun and engaging proposition than the current incarnation of THE HUMAN LEAGUE.

The sprightly quintet of Martyn, Glenn and Martyn’s Angels are the endearing antithesis of Phil, Susanne and Joanne’s dour detachment… and if you want proof, just observe how ‘Temptation’ is performed compared with ‘Don’t You Want Me?’ when the respective factions are in action. There, ELECTRICITYCLUB.CO.UK has said it! So sue us!

There have been some gripes online that HEAVEN 17 should not be performing early HUMAN LEAGUE material even though one of the original three co-composers is all present and correct.

But by the same token, should PETER HOOK & THE LIGHT be performing the JOY DIVISION and NEW ORDER back catalogue or ONETWO doing OMD songs? As with HEAVEN 17, a founding protagonist is present in each so therefore, the artistic credentials are valid.

And so is the entertainment value. This is showbusiness after all. In many ways, THE HUMAN LEAGUE should actually take a lead from HEAVEN 17’s performance adventurism and take a few risks. After all, HEAVEN 17’s ‘How Live Is’ CD artwork made the proclamation: “VOTE HEAVEN 17 – TRUST US, WE’RE ENTERTAINERS”!

Looking back now, the absence of an all-star rendition of ‘Being Boiled’ during the ‘Steel City’ tour in 2008 when THE HUMAN LEAGUE and HEAVEN 17 shared the bill with ABC will forever remain a missed opportunity. Hmmm! Who might have put the block on that idea? 😉


Circus Of Death
Crow & A Baby
You’ve Lost That Loving Feeling
Empire State Human
The Black Hit Of Space
WXJL Tonight
Only After Dark
Being Boiled

Fascist Groove Thang
Crushed By The Wheels Of Industry
Play To Win
Geisha Boys & Temple Girls
Let’s All Make A Bomb
Come Live With Me
We Live So Fast
I’m Your Money
Let Me Go

Penthouse & Pavement

The ‘Live From Metropolis Studios’ DVD+CD featuring ‘The Black Hit Of Space’ and ‘Being Boiled’ as well as many of HEAVEN 17’s best known songs is available now via Demon Music Group

HEAVEN 17 play the following live dates in 2014:
Birmingham Town Hall (14th February), Southampton The Brook (15th February), London Jazz Café (20th and 21st February), Manchester Academy (15th March)





Text by Chi Ming Lai with thanks to Ian Ferguson
Photos by Richard Price
13th November 2013

BEF Live At Shepherds Bush Empire

BEF finally played the first of two special concerts featuring an impressive line-up of guest vocalists to celebrate the three volume high-tech covers series ‘Music Of Quality & Distinction’ and in particular, the latest release subtitled ‘Dark’.

Announced on stage by its musical director Martyn Ware as “the last ever BEF concerts”, the production company made its live debut as part of a dual weekender with its most successful subsidiary HEAVEN 17 in Autumn 2011.

Taking place at The Roundhouse in London, it was a gloriously ambitious outing which included the likes of Sandie Shaw, Boy George, Kim Wilde and Midge Ure. Tonight’s show was in the slightly more intimate confines of Shepherd’s Bush Empire.

It provided an opportunity to showcase a number of songs that had not been aired at the last BEF show. It is always to their credit that the BEF / HEAVEN 17 umbrella always give value for money to their loyal followers by varying setlists, something which other acts from the Synth Britannia era who still tour could learn from.

Naturally, Glenn Gregory opened proceedings with a song that could be seen as 2013’s electronic music scene theme tune ‘It Was a Very Good Year’.

With its eerie HUMAN LEAGUE meets THE FUGEES breakbeat arrangement, it was a fine opening that reflected Martyn Ware’s electronic roots with his love of contemporary soul and classic songwriting.

But there were surprises from the off…

First guest Andy Bell from ERASURE gave an emotive rendition of QUEEN’s ‘Love Of My Life’ in addition to his contribution to the impressively diverse ‘Dark’, KATE BUSH’s ‘Breathing’.  Then one of the ‘Dark’ album’s best numbers ‘Don’t Wanna Know’ got its premiere courtesy of COMMUNARDS singer Sarah Jane-Morris.

The contrast of her deep blues with the blippy electronics came over like a darker gothic version of YAZOO. Slightly more laid back but no less dramatic, her version of ‘Family Affair’ also highlighted the funkier standpoints of the BEF sound.

HEAVEN 17’s contemporaries SCRITTI POLITTI’s Green Gartside and PROPAGANDA’s Claudia Brücken took their turns on the stage with Green reprising his raspy tones on ‘Didn’t I Blow Your Mind This Time’ and ‘I Don’t Know Why I Love You’. Meanwhile Claudia (who didn’t actually appear on the ‘Dark’ album as she was recording her own covers LP ‘The Lost Are Found’) gave a beautifully Germanic edged realisation of ‘The Look of Love’ that recalled ‘Felt Mountain’ era GOLDFRAPP and a finger-clickin’ good ‘These Boots Are Made For Walking’.

But there were a trio of amazingly heartfelt performances; first Glenn Gregory performed ‘Party Fears Two’ which he first sung at this very same venue in 2007 for the Billy Mackenzie 50th Birthday Tribute Concert.

It was a fitting remembrance of the late vocalist from THE ASSOCIATES who sang on Volumes 1 and 2. Trained undertaker and singer/songwriter David J Roch gave his Moroder-esque spacey disco take of Bill Withers’ ‘Same Love’, one of the stand-out tracks on ‘Dark’.

However, the biggest surprise of the evening came when regular HEAVEN 17 / BEF live band member Berenice Scott stepped out from behind her keyboards for a dazzling cinematic rendition of BLONDIE’s ‘Picture This’.

Endearingly sung by “possibly the sexiest lady ever to have got behind a synthesizer”, the crowd was aghast with her vocal abilities; it came as such a surprise that it almost stole the show. The extremely modest Miss Scott though had actually ventured back to her keys before the lengthy song’s conclusion, so didn’t quite feel the full weight of applause that acknowledged her performance.

On the final stretch, The Swiss Family Wilde took to the stage with Kim joined by her niece Scarlett and brother Ricky for a Motown triple tribute. Beginning with the magnificent but little known Stevie Wonder composition ‘Every Time I See You I Go Wild’, the spine tingling industrial backdrop suited Ms Wilde’s vampish demeanour. Then it was a pair of Hitsville classics that featured on the first volume of ‘Music Of Quality & Distinction’ series ‘There’s A Ghost in My House’ and ‘You Keep Me Hanging On’ which Kim had a hit with herself back in 1986.

With Tamla influences very much dominating this section of the show, it was appropriate that to finish was an extended workout of ‘Temptation’. Centred around the band’s two backing vocalists Billie Godfrey and Kelly Barnes, the pair had already demonstrated their power particularly on their respective interpretations of ‘Smalltown Boy’ and ‘Just Walk In My Shoes’. The spectacle of the pair engaged in a battle of the disco lung smiths was a wondrous delight

This evening of fun and frolics was a marvellous achievement on the part of Martyn Ware and the BEF band Asa Bennett, Julian Crampton and Berenice Scott for their abilities and professionalism in learning and playing so many songs for effectively a one-off event. It is a shame that there will be no more BEF events such as these but they are an extremely big logistical undertaking. But then again, for anyone who attended this or the Sheffield Academy show, or The Roundhouse back in 2011, these will be special memories to be cherished for a long time.


It Was A Very Good Year (featuring Glenn Gregory)

Breathing (featuring Andy Bell)

Love Of My Life (featuring Andy Bell)

Don’t Want to Know (featuring Sarah Jane Morris)

Family Affair (featuring Sarah Jane Morris)

Smalltown Boy (featuring Billie Godfrey)

Free (featuring Billie Godfrey)

Co-Pilot The Pilot (featuring Kelly Barnes)

Walk In My Shoes (featuring Kelly Barnes)

Party Fears Two (featuring Glenn Gregory)

Didn’t I Blow Your Mind This Time (featuring Green Gartside)

I Don’t Know Why I Love You (featuring Green Gartside)

Picture This (featuring Berenice Scott)

The Look Of Love (featuring Claudia Brücken)

These Boots Were Made For Walking (featuring Claudia Brücken)

Every Time I See You Go Wild (featuring Kim Wilde)

There’s A Ghost In My House (featuring Kim Wilde)

You Keep Me Hanging On (featuring Kim Wilde)

Boys Keep Swinging (featuring Glenn Gregory)

Temptation (featuring Glenn Gregory, Billie Godfrey and Kelly Barnes)

‘Music Of Quality & Distinction Volume 3 – Dark’ is released by Wall Of Sound and available as a CD and download

‘Martyn Ware Presents…’ takes place as part of the Virgin 40 celebrations at London’s Koko on Monday 11th November 2013.

Material spanning his entire career will be performed including HEAVEN 17 and from his time as a founder member of THE HUMAN LEAGUE. Please visit  http://www.koko.uk.com/listings/martyn-ware-presents-heaven-17-11-11-2013 and http://www.virgin40.com/ for more details




Text by Chi Ming Lai
Photos by Richard Price
9th October 2013