KEEP SHELLY IN ATHENS was the first project Sarah Anna Psalti was involved with, accompanied by the mysteriously named producer and musician RΠЯ.
After the release of their debut long player ‘At Home’ featuring the magnificent ‘Oostende’, SARAH P. decided to relocate to Berlin, where she desperately needed a new start.
Indeed, her first EP ‘Free’
As the songstress admits, “when I’m writing and recording my own music or working on a feature, I do it all my way. I’ll put together the sounds I like, I’ll play the melodies that I think they fit”.
Now with ‘Who Am I’, Sarah finally unveils the long awaited gem she’d been talking about, “There is a whole concept behind it and I am very much looking forward to sharing it, although I’ve got to hold back and wait!”
Produced together with George Priniotakis, ‘Who Am I’
The minimalistic approach permeates throughout the production and is mirrored in the magnificent ‘A Letter From Urban Street’, with its ringing sounds and ethereal vocals, reminiscing a hybrid of Bush / Goldfrapp / Fraser / Scattergood.
‘Away From Me’ borrows ideas from GAZELLE TWIN, paired with the feel of a grown-up nursery rhyme, while ‘Berlin During Winter’ is certainly far colder than sunny Athens, with its Nordic aura. The metallic, scattered sounds vibrate over the urgent build-up of the vocal, culminating in a plethora of voices, at times quite animal sounding in a leaf taken from Alison Goldfrapp’s book.
‘ForgetRegret’ ushers in some dramatic sound play, with fascinating synth textures and captivating voices paving the way for a new style of mature electronica.
The shouting male voices on ‘Instead Of You’ could be the ones from DEPECHE MODE’s vintage B-side ‘Flexible’, but the melody and that gentle, yet powerful female vocal, creates a hedonistic vision of dreamlike state realities, which SARAH P. seems to excel in.
‘LoveStory’ could have featured on the ‘Twin Peaks’ soundtrack, contrary to a faster paced’Millennial Girl’ which capture a sci-fi vision of synthpopia.
‘Summer Prince’ fabulously is a reminder of the Canadian synth queen GRIMES’ style and ‘To You’ toys with the gentility of Sarah’s voice and timid sound manipulation which is rather pleasant on the ear.
What she sets out, she achieves. ‘Who Am I’ is sophisticated, cultured and synthtastic. SARAH P. certainly stands for high quality recordings, originally produced and sophistically executed.
“There’s no right and there’s no wrong, but there’s hope” says Sarah, “And while we’re feeling defeated, even during those dark hours, there’s hope we can do better. And we will.”
She did…
‘Who Am I’
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Text by Monika Izabela Trigwell
Photos by Christoph Neumann
5th May 2017
. The long player promises to “breathe and live the spirit of 80ies electronic Pop and Wave and the almost forgotten vibe of bands like VISAGE or DESIRELESS”. Opening the outing, ‘Star Bubbles’ is sweet and light happy German disco pulled away from the retro synth era. Featuring a sample from Mike Oldfield and Maggie Reilly’s ‘Moonlight Shadow’, it must be the definite return to the good old classic era!
With his adopted home surroundings very much the backbone of the EP, the considerably lighter 
as a single. Captive in symmetry, ‘Cube’ comes with a corresponding video which director Passenger N says is “about how it’s useless to look around everywhere, all you have to do is to think about who you are and you’ll find people like you that will help you to be yourself”
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