Category: Reviews (Page 61 of 200)

NEW SPELL Of Time (Remixed) EP

With their thoughtful dark moods influenced by the likes of MASSIVE ATTACK, LCD SOUNDSYSTEM, RADIOHEAD and PORTISHEAD, San Francisco’s NEW SPELL are an enigmatic project that began releasing music in 2011.

Spearheaded by vocalist and songwriter Leanne Kelly in collaboration with drummer Jacob Frautschi and producer Max Savage, their most significant release to date has been the ‘Of Time’ EP trilogy, an exploratory fusion of dreampop, trip-hop, goth, folk, glitch, dance, synth and indie, best exemplified by songs like ‘Future’s Wild’ and the ‘Of Time’ title song which could be mistaken for Hannah Peel.

NEW SPELL are stylistically hard to pin point. But with their newly released ‘(Remixed)’ EP, they hand over six of the tracks from the ‘Of Time’ trilogy to various collaborators for a fresh electronic spin. The best of the bunch is the VANDAL MOON remix of ‘Home’.

The two parties first worked together on ‘We Live Forever’, a moody synthwave ballad from the gothwavers’ most recent long player ‘Black Kiss’. This new version falls in a similar vein with Blake Voss from VANDAL MOON joining in with his subtle baritone, adding a glorious harmonious resonance that wasn’t on the original while still maintaining the chill of Kelly’s forlorn air.

‘Easier’ sees Akiyoshi Ehara of THE SESHEN offer a shimmering leftfield direction that remains pop but also compliments Kelly fabulous voice with a sympathetic laid-back backdrop. Meanwhile the CTRO Remix of ‘You Win’ plays with an experimental uptempo dance flavour that unfortunately loses the song part of the way through.

From pop rockers DANGERMAKER who once covered David Bowie’s ‘Ashes To Ashes’, their frontman Adam Brookes presents a phat rhythmically focussed take on ‘Like Water’. It manages to avoid death by four-to-the-floor by throwing in a few off-beats for some subtle variation and is all the more enjoyable for it as a song about connecting with others in the digital age.

With NEW SPELL having already contributed to ‘Mythic’, cybersynther SENZATIMORE returns the compliment by building up the intensity on ‘Never Change’ before letting off his drum machine-assisted attack propping up a barrage of heavy anthemic keys.

An arpeggio-laden cinematic rocker in its original form, ‘Rain’ remixed by MAITRE D is tightened into a hypnotic club friendly tune that also plays with skippy machine beats and some deep synthbass towards its rainy conclusion.

With her willingness to collaborate in a variety of spears, Leanne Kelly has already revealed her eclectic cards and this remix EP is another facet of that. Her strengths are her introspective songs and her strong voice.

So while her blend of styles and interests might confuse some, there is likely to be something for someone in the music of NEW SPELL, especially in its reflection of the present and an unpredictable future.


‘Of Time (Remixed)’ is released digitally on 30th October 2020, available direct from https://newspell.bandcamp.com/

https://www.newspellmusic.com/

https://www.facebook.com/NewSpellMusic/

https://twitter.com/newspellmusic

https://www.instagram.com/newspellmusic/

https://open.spotify.com/artist/5zMCF2GpGG7eYUxyc63SKW?si=EZQF6VWiTvaS1rF5MKOXLw


Text by Chi Ming Lai
1st November 2020, updated 5th December 2020

HYPERBUBBLE Banks Of The Ohio

Traditional murder ballads being given synth makeovers are all the rage at the moment.

Irish synth songstress FEMMEPOP presented her stark rendition of ‘Tom Dooley’ just a few weeks ago. And now, Texan Bionic Bubblepunk duo HYPERBUBBLE head north to the ‘Banks Of The Ohio’, a song that originated from the 19th Century.

It tells the story of a guilty party inviting their lover for a walk during which their marriage proposal is rejected. Once they are alone, a murder is committed although much sorrow and regret later gets expressed. Perhaps surprisingly, one of the best known versions was by Olivia Newton-John and it was actually her biggest UK hit until her imperial run of singles from the movie ‘Grease’ in 1978.

‘Banks Of The Ohio’ has also been recorded by Dolly Parton, Joan Baez, Johnny Cash and Charley Pride while there have even been reinterpretations in Swedish and Czech. Updating this urban legend, HYPERBUBBLE have produced a wonderfully haunting synth cover with an eerily Gothic Theremin solo by front woman Jess DeCuir that is perfect for Halloween.

The accompanying self-directed video features zombies, graveyards and murder with our heroine playing a supernatural ghost bride while her hubby Jeff DeCuir is cast as a gravedigger. But she is searching for something! Who is in the grave??? It’s a Roland SH-01 Gaia! Is this symbolism for the death of synthpop?

Although not including ‘Banks Of The Ohio’, HYPERBUBBLE recently released an album of covers called ‘Love & Bionics’. Not content with having delivered a cosmic country covers album three years ago inspired by ‘Switched On Nashville’ called ‘Western Ware’, that put the “MOO” into Moog, Jess and Jeff DeCuir have always enjoyed adapting their style of Texan electro artpunk to a range of standards and obscurities emerging from many unexpected genres.

The most interesting electronic covers often come from outside their regular habitat, particularly from soul and country music.

The Halloween Country Goth Horror Synth of ‘Banks Of The Ohio’ is another example of HYPERBUBBLE’s fun and quirky take on music.


‘Banks Of The Ohio’ comes from the soundtrack of the forthcoming full-length HYPERBUBBLE documentary film called ‘Cowgirls & Synthesizers’

‘Love & Bionics’ is available now as a free download album from https://hyperbubble.bandcamp.com/album/love-and-bionics

http://www.hyperbubble.net/

https://www.facebook.com/hyperbubble

https://twitter.com/Hyperbubble

https://www.instagram.com/hyperbubbleofficial/


Text by Chi Ming Lai
30th October 2020

ALANAS CHOSNAU & MARK REEDER Heavy Rainfall

From ‘Children of Nature’, the excellent first album by Mark Reeder and Alanas Chosnau is ‘Heavy Rainfall’, a song seemingly having an environmental reference but actually reflecting on the world’s increasingly disturbing political climate.

“Just a week or so before the US presidential election, we can expect some heavy rainfall” said Mark Reeder, “So, I’m releasing the soundtrack to go with it.”

‘Heavy Rainfall’ is about hope and having strength in adversity. It is about the unfortunate re-emergence of totalitarian regimes and how they can easily creep upon you and change your life, in an instant.

Alanas Chosnau grew up in the former Soviet Union, so he knows how his life could have turned out if the Communist regime had not collapsed. He would never have been able to live his dream to be a singer. Mark Reeder has lived in the divided Berlin since 1978 and had first-hand experience with the mind-controlling East German authorities. He even discovered after the Iron Curtain finally was dismantled down that there was Stasi file on him!

One of the best songs of 2020, ‘Heavy Rainfall’ could be a grooving NEW ORDER disco number with Reeder’s rhythm guitar syncopating off an exquisite range of electronic patterns while some spacey magic flies within the exquisite soundscape. Chosnau solemnly announces the storm warning, yet his message to hang on remains positive.

The video’s imagery of hazard warning tape and destruction through consumption eerily strike home as the Lithuanian gives his impassioned delivery, but there is light at the end of the tunnel in the shape of solar panels.

Alanas Chosnau told ELECTRICITYCLUB.CO.UK that “‘Heavy Rainfall’ transmits the message of the unfortunate rise of totalitarian regimes and strengthened social and even digital control over people”. Meanwhile, Mark Reeder added “‘Heavy Rainfall’ is a song about how our thoughts are manipulated, about how our attention is diverted by trivia. It’s a warning, to be aware, but also the message is positive, that no matter how much heavy rainfall we get, we just have to wait and ride out the storm”.

‘Heavy Rainfall’ comes from the hearts of two men who have witnessed things first hand. Released under the title of ‘Storm Warning’, the EP contains the Cats & Dogs Mix, Mark Reeder’s sub-10 minute Dripping Wet Remix and the Extended Weather Front Mix.


‘Storm Warning’ featuring three mixes of ‘Heavy Rainfall’ is released by MFS on the usual digital platforms including https://markreeder.bandcamp.com/

https://alanaschosnau.com/

https://www.facebook.com/alanaschosnau/

https://www.instagram.com/alanaschosnau/

https://www.facebook.com/markreeder.mfs/

https://twitter.com/markreedermfs

https://www.instagram.com/markreeder.mfs/

https://mfsberlin.com/


Text by Chi Ming Lai
Photo by Martyn Goodacre
28th October 2020

Visions Of ULTRAFLEX

While the work of FARAO and SPECIAL-K can be more artful, considered and melancholic to most ears, the two ladies respectfully behind those projects, Kari Jahnsen and Katrín Helga Andrésdóttir, provide a bit of sunshine in these stranger times by having some cheeky fun as ULTRAFLEX.

Originally commissioned as a live concept, Jahnsen and Andrésdóttir have combined Olympic Nordic skiing, Soviet fitness videos and electronic disco to come up with a pop group that fashionista Lotta Volkova would surely have manufactured had she wanted to become a music Svengali. Perhaps unusually for a band, the pair met when Andrésdóttir’s father dated Jahnsen’s mother. ULTRAFLEX have described their debut album as “an ode to exercise, loaded with sex metaphors badly disguised as sports descriptions”. It is fair to say that the duo have an appetite for seduction.

It all begins with an electro-sexy declaration to ‘Get Fit’, but the girls state that “the message is for you to interpret, is it a critique on the societal pressure to be fit – or a motivational anthem, or perhaps both?”

Asking listeners to “1-2-3-BREATHE!”, ‘Work Out Tonight’ plays with some funky energetic synthbass and disco machine rhythms with lashings of cowbell before climaxing with a saucy dialogue between a man Jae Tyler and a woman as he accidental wanders into her dressing room…

Pitch shifting their vocals for effect and adding slinky sax from Tumi Árnason, the primarily instrumental ‘Papaya’ possesses a sun-kissed groove. Meanwhile ‘Never Forget My Baby’ is more laid back, sitting on a hypnotic off-beat with a gorgeous dual vocal expressing desire as a vintage digital slapped bass solo occupies the middle eight. The digital slapped bass returns on ‘Man U Sheets’ which then get switched to a squelchier variant as the girls get all breathy and sweaty like a Nordic MARSHEAUX gone electro jazz funk with all the vibey trimmings.

Inspired by TV sports montages, ‘Olympic Sweat’ was ULTRAFLEX’s calling card and remains as exquisite as when it premiered in the summer, a dreamy instrumental blend of PET SHOP BOYS, NEW ORDER and SIN COS TAN.

Coming over like Australian duo CONFIDENCE MAN’s ‘Try Your Luck’, the self-explanatory ‘Full of Lust’ is all girly come-ons and amorous panting, playfully raising temperatures while Jahnsen and Andrésdóttir go all LISA LISA & CULT JAM in the catchy chorus. The very Japanese Citypop soundscape betrays the song’s origins which ULTRAFLEX told ELECTRICITYCLUB.CO.UK “started when we made an electro version of our favourite Norwegian children’s song ‘Sure Sivert’ by Maj Britt Andersen. With her permission, we were allowed to use the melody from the original song as a synth solo that now comes in at the end”.

Closing with ‘Secret Lover’ by spinning off percussively into another funky synthbass backdrop recalling MANTRONIX, ULTRAFLEX said of their creative dynamic: “We are both workaholics who appreciate a good laugh and a lot of sarcasm. Kari is the beatmaker and synth master while Katrin delivers the poetic sass and visual excellence. Together we make the synthiverse and melodic framework. With our common goal being to have as much fun as possible, we’ve succeeded from day one. Yes, we both felt the need to stop being miserable and do something fun for a change.”

The debut ULTRAFLEX album is a wonderfully joyous listening experience which proves a lot of amusement can be had while still maintaining an artistic integrity.

Deliciously coy with naughty exercise double entendres, the partnership of Kari Jahnsen and Katrín Helga Andrésdóttir cannot help but draw smiles. It is just the tonic needed right now as a very strange and tense 2020 draws to a conclusion.


‘Visions Of ULTRAFLEX’ is released by Street Pulse Records on 30th October 2020 in vinyl LP, cassette and digital formats, available direct from https://ultraflexband.bandcamp.com/album/visions-of-ultraflex

https://www.facebook.com/ultraflexband

https://www.instagram.com/ultraflexband

https://soundcloud.com/ultraflexband

http://www.farao.biz/

https://www.facebook.com/faraomusic/

https://www.instagram.com/faraomusic/

https://www.special-k-special-k.com/

https://www.facebook.com/specialkspecialkspecialk/

https://www.instagram.com/special_k_special_k/


Text by Chi Ming Lai
26th October 2020

UNIFY SEPARATE Solitude & I


“You and me v tomorrow, living off joy and sorrow and the dreaming in our eyes, we keep our dreams alive…”

If there was a musical duo who visually symbolise the dystopian paranoia of the world pandemic crisis, then it is the protective boiler suit donning UNIFY SEPARATE.

Formally known as US, the Scottish Swedish pairing of Andrew Montgomery from GENEVA and Leo Josefsson of LOWE impressed with their 2019 debut album ‘First Contact’ which successfully combined the soaring vocal aspects of Britpop with the melodic melancholy of Nordic synth.

UNIFY SEPARATE have released their first single of 2020, the magnificently striking statement of ‘Solitude & I’. Like DEPECHE MODE meeting MUSE before building with some mighty synth arpeggios, it morphs from a drum ‘n’ bass lilt into a blistering mutant attack.

The tense self-directed video filmed by Tobias Andersson looks like it could be a scene from ‘The Crazies’ or ‘Chernobyl’. It sees our heroes on decontamination duty, driving their Gothically modified Toyota Celica called Angelica to a desolate forest quarry. Resigned to the disaster that has occurred, it all acts as poignant symbolism that the world is running out of time…

From the new album is due out in mid-2021, ‘Solitude & I’ is a natural progression of the Stockholm-based duo’s material on ‘First Contact’ with Montgomery not letting up with his Jeff Buckley inspired vocal delivery, reflecting the isolation and uncertain future many are currently feeling as “There’s nobody out there, no-one but you and I”.

Anthemic, uplifting and optimistic, it is UNIFY SEPARATE’s in-your-face manifesto on never giving up on your dreams.


‘Solitude & I’ is released as a digital single, available direct from https://unifyseparate.bandcamp.com/

http://www.unifyseparate.com

https://www.facebook.com/usmusicspace

https://twitter.com/andrewmonty

https://twitter.com/lazyeyesthlm

http://www.instagram.com/unify_separate

https://soundcloud.com/usmusicspace

https://open.spotify.com/artist/0h9f9Dz3aVBP41aEF3GDON


Text by Chi Ming Lai
24th October 2020

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