Category: Introducing (Page 7 of 25)

Introducing GEORGIA

21 October 2019 /

She’s the artist everyone is talking about…

GEORGIA is Georgia Barnes, daughter of LEFTFIELD’s Neil Barnes and the former drummer for Kate Tempest.

But she recently made her impression with a stand-out performance of ‘Never Let You Go’ playing Simmons Drums alongside an Oberheim OB6 on ‘Later With Jools Holland’.

The live presentation certainly showcased her unique selling point, in a manner not dissimilar to LITTLE BOOTS in 2008.

‘Never Let You Go’ itself sounds like grittier CHVRCHES remixed by SOULWAX, in particular the Belgian brothers take on MUSE’s ‘Muscle Museum’. An appealing electropop number, it touches many bases including synthwave such as DANA JEAN PHOENIX and RIDER, although with a much more English slant.

‘Never Let You Go’ is from GEORGIA’s upcoming second album ‘Seeking Thrills’. One track which has already been premiered is the gloriously throbbing workout of ‘About Work The Dancefloor’ which takes its lead from ROBYN with its rousing Scandipop sheen.

These two tracks are a far cry from her self-titled debut album from 2015 which possessed a more urban DIY austere. It’s been an interesting development into more accessible pop territory, but she hasn’t left her roots completely.

A previous single ‘Started Out’, which is to be included on ‘Seeking Thrills’, takes on a much more groovier vibe with soulful influences going over the electronics, while there’s also the quirky R ‘n’ B pop of ‘Feel It’ and the dead pan hip-hop of ‘Mellow’ with rapper SHYGIRL.

Great things are anticipated for GEORGIA with her signing to Domino Records, home of FRANZ FERDINAND, ARCTIC MONKEYS and AUSTRA. Having opened for METRONOMY and sold out her November show at the prestigious Scala in London, a major European and UK club tour has been announced for 2020.

‘Never Let You Go’ is released as a digital single by Domino Records, the album ‘Seeking Thrills’ is out on 11th January 2020

GEORGIA 2020 UK + Ireland live dates include:

Glasgow King Tuts (4th March), Liverpool Phase 1 (6th March), Dublin Sound House (7th March), Leeds Brudenell Community Room (9th March), Birmingham Mama Roux’s (10th March), Bristol Thekla (11th March), London Heaven (12th March)

https://georgiauk.com/

https://www.facebook.com/GeorgiaUK/

https://twitter.com/_georgiauk

https://www.instagram.com/georgiauk/

Text by Chi Ming Lai
21st October 2019

Introducing SUI ZHEN

14 July 2019 /

With her performance art ethos, Melbourne-based SUI ZHEN offers surreal observations on the intersections between human life and technology.

With echoes of Los Angeles songstress SINOSA, ‘Perfect Place’ is a delightfully odd but accessible trailer to SUI ZHEN’s brand new long playing offering ‘Losing, Linda’.

The genesis of the album began during an artistic residency in Japan and completed in Australia under the trauma of her mother’s ill health and eventual passing.

This life changing experience has undoubtedly influenced the self-directed visual presentation for ‘Perfect Place’.

It introduces Linda, a digital doppelgänger and avatar. Not an easy watch, with the ghostly apparition representing the fragments of self and avatars left behind after one dies in the physical realm, the question being asked is “do our digital selves ever fully disappear?”

Playfully wispy, ‘Perfect Place’ itself is a wonderful slice of pentatonic avant pop, with eerie spoken passages and bursts of delightful melodica offset by hypnotic arpeggios and danceable rhythms.

‘Losing, Linda’ follows up 2015‘s ‘Secretly Susan’, a breakthrough recording which featured the quirky single ‘Take It All Back’, a minimal bass synth driven number laced with very high voices like GRIMES meeting LET’S EAT GRANDMA and the innocence of ‘Dear Teri’ which revealed much jazzier overtones.

Zhen promises a mix of Japanese City Pop, Sade, Tracey Thorn, Laurie Anderson and Suzanne Ciani for her new album.

‘Perfect Place’ is from the album ‘Losing, Linda’ which will be released by Cascine in North America and Dot Dash in Australia / New Zealand on 27th September 2019

http://www.suizhen.com.au/

https://www.facebook.com/suizhen/

https://twitter.com/BeckySuiZhen

https://www.instagram.com/sui_zhen/

Text by Chi Ming Lai
14th July 2019

Introducing GRETA

3 July 2019 /

Greta Louise Schenk is a Copenhagen domiciled German who first found wider attention in the atmospheric trio WHO IS LOUIS and the girl group IDA RED who she is still currently a member of.

The classically trained composer and songwriter is soon to unleash her debut solo EP, co-produced by the Berlin based Norwegian FARAO who released the critically acclaimed ‘Pure-O’ album in 2018.

Making effective use of a Roland Juno 60, Yamaha CS15, Korg Delta and Omnichord, perhaps unsurprisingly, the gorgeous new single called ’Spin’ does have the wispy air of her co-producer’s own work while the magnetic allure of YELLO collaborator Fifi Rong also looms.

“I had been following FARAO and had listened to her music for a few years thinking that she would understand my music and probably be able to add a little edge” remembered Schenk, “We worked together for the first time in her studio in Berlin September 2017. We are both really into shimmering harps, vintage synthesizers and 80s disco. We are always very inspired and productive when we work together”.

The animated video for ‘Spin’ created by Marie Boye Thomsen and William Reynish cerebrally offers a portrayal of the existential crisis within the human condition. GRETA’s songs aim to echo her thoughts on life and inner contradictions with light and darkness in equal measures. Kitsch, cool, weird and dreamy, it could all get very interesting…

An earlier synthbass driven single ‘Bad Lovers’ took things more uptempo, while the filmic ‘Ardent Spring’ pointed towards the crystalline soundscapes of IONNALEE, although with a looser rhythmic backbone.

This music is indeed far cry from the Scandipop R ‘n’ B of ‘Talk’, ‘Wildflower’ and ‘Oh Girl’ which saw IDA RED gain traction on national radio in Denmark.

’Spin’ is released as a digital single on 5th July 2019 by Celebration Records, available direct from https://gretagretamusic.bandcamp.com/

https://www.facebook.com/greta.geschenk/

https://www.instagram.com/greta.geschenk/

http://celebrationrecords.dk/work/greta/

Text by Chi Ming Lai
3rd July 2019

Introducing VON KONOW

1 July 2019 /

From the same stable as VILLA NAH, SIN COS TAN,  JUNO FRANCIS and THE HEARING comes Marko von Konow.

The flamboyant Finnish art rocker says he is all about contradictions. Combining European cabaret, progressive rock and synthpop within his strange but accessible world, his sound was premiered on his 2017 album ‘Lieder’ and featured the epic single ‘Horses Run With Me’.

Unsurprisingly, von Konow looks towards Nietzsche and Sartre for literary inspiration while within popular culture, the chameleon presence of Bowie, Mercury and Gaga all loom. Embarking on a journey to distant places, his songs tell of the survival of outsiders.

With rousing avant pop melodies and dramatic orchestrations, the lead single ‘On A Hill’ from the new album ‘For All & None’ sonically echoes THE PSYCHEDELIC FURS cult favourite ‘Love My Way’ with its charming marimba hook. In a superbly picturesque monochromatic video directed by Tommi Pietiläinen with costumes designed by Suvi Hänninen, von Konow exudes an enigmatic demeanour dressed with a thoughtful glam edge.

Utilising von Konow’s inherent theatrics, other highlights on the impressive new album include a filmic jazz inflected duet with Salla Seppälä entitled ‘True As a Dream’ and ‘Away To Harbourside’ which comes over like an Owen Pallett collaboration with PET SHOP BOYS.

The intensely adventurous baroque of ‘Overtaken’ is appropriately Bowie-esque while the vivid colours of ‘Lucid Sound’ bounce like THE DIVINE COMEDY meeting LLOYD COLE & THE COMMOTIONS, but with unexpected bursts of synth for good measure alongside the strings and woodwinds.

With themes of love and death, these dramatic widescreen overtures could appeal to fans of ASSOCIATES, FIAT LUX and THE FALLOUT CLUB.

‘For All & None’ is released by Solina Records in digital formats

https://vonkonow.net/

https://www.facebook.com/vonkonowmusic/

https://www.instagram.com/vonkonowartist/

https://solinarecords.com/von-konow-for-all-and-none/

Text by Chi Ming Lai
1st July 2019

Introducing ALICE HUBBLE

12 June 2019 /


ALICE HUBBLE is the new solo project of Alice Hubley, previously best known for fronting ARTHUR & MARTHA.

Channelling her inner Delia Derbyshire and Daphne Oram while also exploring the sonics of Germanic masters TANGERINE DREAM and ASHRA, Hubley’s upcoming debut album ‘Polarlichter’ is the product of one lady locked at home with her collection of synthesizers.

An impressive support slot for CAN’s Damo Suzuki finally showcased the electronic pop potential of Hubley which has largely remained hidden within the more indie confines of her musical adventures since ARTHUR & MARTHA. With her forlorn vocal presence, her earthy demeanour is ideal for melancholic pop layered by vintage synths and driven by primitive drum boxes.

‘Goddess’ is the first single and while its musical inspirations are cited as being ‘Boy’ by BOOK OF LOVE, ‘Plainsong’ by THE CURE and ‘Of All The Things We’ve Made’ by OMD, the iconic chordial structure from the first section of the full-length ‘No1 Song In Heaven’ by SPARKS, the Mael Brothers’ pièce de résistance recorded with Giorgio Moroder is also very much in evidence.

Laced in Korg and Juno, Hubley says: “Goddess is a song about the male gaze; about a man idolising a woman to the point that he doesn’t see her as a person. His ‘love’ is all consuming and the focus of his affection is seen merely as an object. As a result he consumes her and takes from her until she has little left, but thankfully she finds the inner strength to walk away.”

With the single released by Happy Robots Records, the rather good B-side ‘Lake Louise’ is a progressive  instrumental in two distinct movements…

Lightly Motorik while dressed with endearing transistorised keyboard tones and grainy synthetic strings in its first half, the second half is more baroque with a lonely piano adding to its solemn film noir quality.

Having already remixed ‘Radio On’ featuring ex-KRAFTWERK elektronisches schlagzeugmeister Wolfgang Flür for TINY MAGNETIC PETS, Hubley opened for the Dublin synthpop trio on their London sojourn during the late May Bank Holiday weekend.

‘Goddess’ featuring three remixes and ‘Lake Louise’ is released as a download bundle by Happy Robots Records on 31st May 2019

The album ‘Polarlichter’ will be released as a limited edition vinyl LP sometime in early August, pre-order direct from https://www.happyrobots.co.uk/product-page/alice-hubble-polarlichter-new-12-lp-pre-order

ALICE HUBBLE opens for ADVANCE BASE at Redon in London’s Bethnal Green on 22nd July 2019 and PRAM at The Moon in Cardiff on 8th August 2019

https://www.happyrobots.co.uk/alice-hubble

https://www.facebook.com/alicehubblemusic/

https://twitter.com/alice_hubble

https://www.instagram.com/alice_hubble/

Text by Chi Ming Lai
12th June 2019

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