Hosted by PopRambler Iain McDermott, ‘Back To NOW’ is a podcast that celebrates all things related to the variously compiled world of pop and how our favourite compilation albums shaped our lives and now fondly stand as time capsules for our own musical journeys.
Chi Ming Lai of ELECTRICITYCLUB.CO.UK was honoured to be invited back to Back To NOW after his debut appearance in 2024 about the ‘NOW ’81 Yearbook’. On this new episode, he joins Ian Wade, author of ‘1984: The Year Pop Went Queer’, to discuss the ‘NOW ’82 Yearbook’ 4CD set and its companion 3CD set of “Extras”.
The start of 1982 saw a continuation of the amazing Autumn of 1981 with the third singles from albums by SOFT CELL, OMD and JAPAN all hitting the Top5 while the synthesizer pioneers who were ahead of their time like KRAFTWERK and THE HUMAN LEAGUE saw tracks first released in 1978 become Top10 Hits with ‘The Model’ notably dropping down the charts before getting to No1. There were chart breakthroughs for SIMPLE MINDS and ASSOCIATES while YAZOO, CHINA CRISIS, BLANCMANGE, A FLOCK OF SEAGULLS and TALK TALK impressed with their debut long players.
However later in the year, there was a backlash against the synthesizer as exemplified by the Musicians Union tabling a motion to ban synthesizers from recording and live performance. Meanwhile musically, the fiddle and banjo romp of ‘Come On Eileen’ by the Celtic soul incarnation of DEXY’S MIDNIGHT RUNNERS becoming the biggest selling single of 1982 in the UK gave indicators that public may have had enough of all things electronic.
But you cannot halt progress and advances in music technology like the Linn Drum Computer and the Fairlight CMI were to become the perfect tools for producers like Trevor Horn and Tony Mansfield to continue adventures in modern recording with DOLLAR, ABC and SPANDAU BALLET as well as Captain Sensible and Mari Wilson among the beneficiaries. Meanwhile DURAN DURAN truly became the teenyboppers band of choice with their ‘Rio’ album eventually going platinum but if the year before had been 1981 B.C.C. – before CULTURE CLUB, then the end of 1982 saw the emergence of the two Georges, O’Dowd and Michael.
Of the year, the Now Music official website said: “1982 saw the first huge hits from a wealth of new artists including CULTURE CLUB, WHAM! and TEARS FOR FEARS, as well as an incredible line-up from artists who had established their chart presence in the prior 18 months and would produce some of the greatest tracks of the decade; DURAN DURAN, SPANDAU BALLET, ABC, HAIRCUT 100, SOFT CELL, THE HUMAN LEAGUE, and a newly solo Adam Ant.”
In a lively conversation, Iain McDermott, Ian Wade and Chi Ming Lai cover topics as diverse as the importance of Smash Hits in their coverage of pop, predict the possible inclusions for the upcoming NOW ‘Vault ’82’ collection and the unlikely trio of chart toppers from West Germany, thus proving that despite it being the country that seeded innovative electronic music, its cheesy home-grown Schlagermusik could also unexpectedly crossover as grandparents bought their one single of the year!
As Smash Hits Editor David Hepworth said in their end of year review, there were “no patterns” to pop in 1982.
ELECTRICITYCLUB.CO.UK gives its warmest thanks to Iain McDermott
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Text by Simon Helm
25 July 2025


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