Category: Reviews (Page 106 of 200)

UNDERWORLD & IGGY POP Teatime Dub Encounters


IGGY POP’s 2016 ‘Post Pop Depression’ album was seen by many as his swansong with an also mooted retirement from the live arena because his failing eyesight meant that he had become unable to see the edge of the stage.

But in a surprising twist, dance legends UNDERWORLD have coaxed the 71 year old out of retirement and collaborated on the quintessentially British sounding ‘Teatime Dub Encounters’ EP. Comprising of four tracks, the EP clocks in at a lengthy 27 minutes and opens with ‘Bells & Circles’.

An epic piece based around live drum loop samples and an entertaining rant from Pop revolving around “…the golden days of air travel”, topics taken in along the way include being able to smoke on a plane, whether the air stewardess was hot or not and doing copious amounts of drugs on the fold out table in front of the passenger.

In typical UNDERWORLD style, the musicality of the track is slow building with layers gradually added with subtle strings, Hammond organ stabs and a “sunlight on my wings” semi-chorus hook in the end section. Rick Smith’s daughter Esme Bronwen-Smith provides backing vocals on the latter and features elsewhere on the EP.

Second track ‘Trapped’ sees a surprisingly SUICIDE / DAF-influenced synth bass sequence make an appearance with a sung vocal by Pop and further backing by Esme Bronwen-Smith. Lyrically ‘Trapped’ gives a world-weary Pop another chance to climb on his soapbox and rant: “I’m trapped, I’m trapped and I’ll never get out no more”.

The song also touches on that moment when you (or your kids) grow up, get a mortgage and become pinned down into an inescapable lifestyle with commitments that make you a slave to “the man”.

Maybe vocally ‘Trapped’ recalls FOO FIGHTERS ‘All My Life’ a little too much, but the underpinning synth bass is wonderfully hypnotic and carries the track throughout.

‘I See Big’ see things take a downtempo turn, again based around spoken word, but this time in a more reflective manner with Pop ruminating on past friendships (both positive and negative) over a backing which features Krautrock elements, a hazy synth part and backwards guitar. The closing ‘Get Your Shirt’ musically references GOLDFRAPP, especially with Bronwen-Smith’s vocal part and Pop refers to the song as “a good old rock’n’roll moan about ripoffs”.

With their independent appearances on the original iconic ‘Trainspotting’ film soundtrack, the two acts here are inextricably linked and there’s something brilliant about them finally collaborating. The deal breaker with ‘Teatime Dub Encounters’ is whether you happen to be a fan of IGGY POP’s vocal; one could either find it totally sublime or completely irritating depending upon your standpoint.

Musically though, this is interesting territory for both UNDERWORLD and IGGY POP; the EP has plenty to keep fans of electronic music happy, especially with the stripped-down Germanic synth-based groove of ‘Trapped’. On paper this collaboration shouldn’t really work, but in the main it succeeds wonderfully and will hopefully lead to further joint works between these two godfathers of their respective genres.


‘Teatime Dub Encounters’ is released by Caroline International in vinyl EP, CD and digital formats

http://www.underworldlive.com/

https://www.facebook.com/Underworld/

http://iggypop.com/

https://www.facebook.com/iggypop/


Text by Paul Boddy
5th August 2018

CHRIS LIEBING featuring POLLY SCATTERGOOD And All Went Dark

Noted techno exponent Chris Liebing has unveiled a stark new track featuring Mute label mate Polly Scattergood entitled ‘And All Went Dark’.

The brooding minimalist electronic piece basically does what it says on the tin, with an eerily poetic spoken contribution from Miss Scattergood where the Essex songstress is haunted by a “dark shadow on my shoulder” and how “a sickness took hold early on”!

‘And All Went Dark’ is from Liebing’s new album ‘Burn Slow’ to be released by Mute Artists. Daniel Miller has long been an admirer of the Frankfurt-based DJ and the pair shared a stage for a talk at the 2016 ELECTRI_CITY_CONFERENCE in Dusseldörf; the Mute Records supremo had even joked that they would probably want to play exactly the same tracks during their DJ sets at the Time Warp club aftershow.

A striking mood piece ‘Polished Chrome (The Friend Part 1)’ featuring Gary Numan has already acted as early trailer for the album and the ten track opus will also feature vocals from COLD CAVE, ALEEN and Miles Cooper Seaton of folk-influenced experimentalists AKRON / FAMILY,

Liebing has long had a spiritual connection with Mute as a young fan of DEPECHE MODE, YAZOO, DAF, LAIBACH and NITZER EBB, with his recent remixes for DEPECHE MODE’s ‘Going Backwards’ and GOLDFRAPP’s ‘Everything Is Never Enough’ beginning the journey towards ‘Burn Slow’.


‘And All Went Dark’ is from the album ‘Burn Slow’ released by Mute Artists on 7th September 2018

CHRIS LIEBING does an eight-hour all night DJ set at Closer in London’s E1 on 26th August 2018

http://www.chrisliebing.com/

https://www.facebook.com/chrisliebingofficial/

http://mute.com/artists/chris-liebing

http://www.pollyscattergood.com/


Text by Chi Ming Lai
2nd August 2018

SECTION 25 Elektra

Blackpool’s SECTION 25 went from post-punk gloom merchants on ‘Always Now’ in 1981 to mutant electronic dance pioneers with 1984’s ‘From The Hip’ and its seminal single ‘Looking From A Hilltop’, before evolving into a glossy pop act with the album ‘Dark Light’ in 2013.

Founded by the Cassidy brothers Larry and Vin, SECTION 25’s various stages have been shaped by the band’s lead vocalists, from Larry himself to his wife Jenny and now their daughter Bethany.

Part of the iconic Factory Records family, Ian Curtis, Bernard Sumner and Stephen Morris all took a productive interest in the band’s creative fortunes over the years, while there was a boost in profile when rapper Kanye West sampled the song ‘Hit’ from ‘Always Now’ for the outro of his 2016 track ‘FML’ which eventually boasted seventeen names in its publishing split due to the number of samples it used!

Sadly Larry and Jenny passed away in 2010 and 2004 respectively, but the family tradition of SECTION 25 continues today with Vin and Bethany joined by cousin Jo on backing vocals and keyboards, along with the newest family member Michael on bass. The new album ‘Elektra’ sees a return to SECTION 25’s post-punk roots and this move is signified by multi-instrumentalist Steve Stringer being joined by the band’s original guitarist from that period Paul Wiggin as the recording’s special guest.

The result of jam sessions and recorded as a live band in the studio, the dreamy opener ‘Laid Back’ with its layers of gentle string machine might indicate business as usual at least with more recent SXXV offerings, but ‘Chase The Blue’ offers live drums and a gritty guitar driven sound to offset Bethany’s voice and some lingering vibratoed synth. Then there’s the dubbier excursion of ‘Creatures’ and the quirky indie of ‘All I Ask’ before a more aggressive new wave demeanour sets in for ‘It Don’t Get’.

‘You Want Some’ continues on the new wave path, while the amusingly titled ‘You Don’t Have To Be Liked To Be Good’ plays with squelches and baggy piano over a percussive template that recalls PUBLIC IMAGE LIMITED. The most electronically assisted track ‘The Greatest Thing’ has that fizz reminiscent of NEW ORDER. With Bethany joyfully exclaiming “this is my time”, it offers possibly the highlight of ‘Elektra’.

Again playing with squelches over live drums and incessant bass, ‘This Is The Love’ is another that goes into new wave territory although is a little too long while ‘Floating Sun’ soothes via its swirly textural atmospheres and a hypnotic rhythmic mantra from Vin.

To close ‘Elektra’, there’s a surprising band cover of ‘FML’, the very Kanye track which sampled of ‘Hit’. It bizarrely sounds like CHVRCHES going West Coast rap with the austere essence of the North West looming courtesy of the lingering voice of Larry Cassidy.

Those hoping for more electropop in the vein of the ‘Dark Light’ album might be disappointed, but those who prefer to party like it’s 1979 with guitars, bass and drums will love this latest offering from SECTION 25 as a worthy addition to the Cassidy tradition.


‘Elektra’ is released by Klanggalarie Records as a CD available from http://www.klanggalerie.com/gg278

A selection of the SECTION 25 back catalogue is available from http://www.factorybenelux.com/section25.html

http://www.section25.com

https://www.facebook.com/section25

https://twitter.com/section25

https://www.instagram.com/section25official/


Text by Chi Ming Lai
1st August 2018

EKKOES You Got The Light


EKKOES release their most accomplished single yet in ‘You Got The Light’, a catchy slice of shiny electronic pop that probably would have made the Capital Radio playlist back in 1991.

Comprising of Jon Beck and Rosalee O’Connell on vocals with Dave Fawbert handling the instrumentation and programming, EKKOES released their debut album ‘Elekktricity’ in 2016, with three of its tracks ‘Fight The Feeling’, ‘Heaven’ and ‘Last Breath’ co-written and co-produced with MARSHEAUX production team FOTONOVELA.

It would be fair to say that ELECTRICITYCLUB.CO.UK have found EKKOES a bit too musically polite in the past, but there were signs of more muscular development with two new songs ‘Electricity’ and ‘Heartbeat’ recorded in collaboration with one of the trio’s biggest champions MARK REEDER; he featured both tracks on his ‘Mauerstadt’ long player released last year and it was Reeder who gave EKKOES their first formal release with his remix of ‘Ice Cold’ on his ‘Five Point One’ collection in 2011.

Having opened for the likes of THE HUMAN LEAGUE, ERASURE, BLANCMANGE, BEF and xPROPAGANDA over the years, EKKOES showcased their wares to a potentially receptive audience, although with the various label upheavals they were exposed to during the realisation of ‘Elekktricity’, some momentum was lost.

But with a fresh start and buoyed by the interest from other established music figures like CHICANE who invited O’Connell to contribute vocals on his new album, EKKOES’ second album ‘Kinetik’ out in September promises more big choruses and an aim for, as they put it, “maximalism”. After their rollercoaster career to date, this could be their time…


‘You Got the Light’ is available now on digital platforms and from the upcoming second album ‘Kinetik’ released by Kids Records on 7th September 2018

EKKOES launch ‘Kinetik’ with a live date at The Lexington in London on Monday 10th September 2018

http://ekkoes.com

https://www.facebook.com/ekkoes

https://twitter.com/ekkoesmusic

https://www.instagram.com/ekkoes/

https://soundcloud.com/ekkoesmusic


Text by Chi Ming Lai
Photo by Dan Beck
28th July 2018

GUNSHIP featuring TIM CAPPELLO & INDIANA Dark All Day

Ever wanted to chase down the flesh eating zombies? Look no further but the latest animation from GUNSHIP, who have been bringing back post-apocalyptic horror nostalgia with the freshness of today.

GUNSHIP’s 2015 release of their eponymous album was eagerly received by the lovers of vintage gaming, films and sounds of the golden synth era and this Autumn is bringing the release of a follow-up long player ‘Dark All Day’. And here comes the first single, sharing its title with the record’s name.

The trio consisting of Dan Haigh, Alex Westaway and Alex Gingell collaborated with John Carpenter on their music video for ‘Tech Noir’, and are widely known for releasing too cool for school flicks which accompany their rock meets synth creations.


For ‘Dark All Day’, GUNSHIP proudly announced “the undisputed king of ’80s sax joins us to blow his horn — Mr Tim Cappello himself, reprising his role from the movie ‘The Lost Boys’ some 30 years later!”. Cappello made sax sexy by performing sans shirt for Peter Gabriel, Carly Simon and Tina Turner, amongst others and his extended solos on ‘Dark All Day’ bring back the feelings of the good lost days.

As if that’s not enough, GUNSHIP fortifies this one with Lauren Henson aka Indiana as well. Indiana has had a top 20 single with ‘Solo Dancing’ and her haunting Dolores O’Riordan-esque voice is widely recognisable and she certainly doesn’t disappoint on ‘Dark All Day’.

Gentle versus harsh, gracious versus pungent and sexy versus disgusting is what both the song and the video burst with. The zombies attack; they’re being decimated, animation style, and finally the band themselves get drenched with blood looking rain, where Cappello does his amorous sax thing and the scantily clad Indiana dances in the wetness of the red… what’s there not to love!?

The release of the follow-up to ‘Gunship’ LP can’t come quick enough, but for now let’s channel our inner geeks and enjoy ‘Dark Long Day’ in its glory. The album is set to feature vocals from Kat Von D who worked previously with IAMX on the ‘Alive In New Light’ opus and Una Healy from THE SATURDAYS, the girl group known for consistently mining the Vince Clarke catalogue during their hit heyday.


‘Dark All Day’ is available via the usual digital platforms and taken from GUNSHIP’s forthcoming second album also named ‘Dark All Day’ released by Horsie In The Hedge on 6th October 2018, pre-order direct from https://gunship.tmstor.es

https://www.gunshipmusic.com

https://www.facebook.com/GUNSHIPMusic/

https://twitter.com/GUNSHIPMUSIC

https://www.instagram.com/gunshipmusic/

https://gunshipmusic.bandcamp.com


Text by Monika Izabela Trigwell
25th July 2018

« Older posts Newer posts »