Tag: Holger Czukay
JAH WOBBLE was just 18 years old when he co-founded PUBLIC IMAGE LIMITED with John Lydon, Keith Levene and Jim Walker. Real name John Wardle, he was given his nickname and first bass guitar by a drunken Sid Vicious.
A strong advocate of World Music, he has a brand new album entitled 'Ocean Blue Waves' out. The Electricity Club had the pleasure of chatting to Big John about his ethos and his career as one of the UK’s most influential and distinctive bass players. Continue Reading ›
‘The Potential Of Noise’ is a touching insight into the late Conny Plank, undoubtedly one of the most innovative and important studio exponents in popular music.
Directed by his son Stephan with Reto Caduff, the film sees him embarking on a journey to rediscover his father’s impact and his importance in music history. As the studio in the converted farmhouse in Wolperath was also the family home, Stephan grew up around the artists who his father worked with. Continue Reading ›
Ambient electronic music is a much misunderstood genre. Modern ambient probably came to prominence with BRIAN ENO.
Restricted to one album per moniker or collaborative partnership, here are the twenty long players which form The Electricity Club’s Electronic Legacy of Ambient. Acting as a straightforward introduction to the genre, it refers to many artists whose comparatively mainstream works may already be familiar. Continue Reading ›
Vinyl still holds a special affection with the emotional attachment given to a piece of music captured on bit of plastic almost unparralled.
So here are 30 synth friendly obscure alternatives from the era when vinyl was king, which for whatever reason, have been lost in the mists of time. These are great but obscure singles and album tracks from places as far flung as Australia, Japan and Canada that were overlooked at their time of release in the UK, but which all deserve critical reappraisal. Continue Reading ›
It was at Conny’s Studio just outside of Cologne that a number of landmark recordings were completed, notably KRAFTWERK’s ‘Autobahn’ and ULTRAVOX’s ‘Vienna’. The studio was the operational centre of engineer and producer Konrad Plank.
As well as studio work, CONNY PLANK was an active musician. He leaves an important musical legacy. The Electricity Club looks back at eighteen of his works, with a restriction of one track per album project… Continue Reading ›