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Tag: Benge (page 2 of 9)

BLANCMANGE Wanderlust

Arranged, co-produced and mixed with Benge at the latter’s Memetune Studios in Cornwall, the new BLANCMANGE album ‘Wanderlust’ is focussed on “the pretence of a normal world being erased.” BLANCMANGE’s first phase produced just three albums ‘Happy Families’, ‘Mange Tout’ and ‘Believe You Me’. But since his 21st Century return in 2011 with ‘Blanc Burn’, frontman Neil Arthur has become possibly the most prolific man in electronic music. Continue Reading ›

BLANCMANGE: The Wanderlust Interview

BLANCMANGE’s Neil Arthur is probably the most prolific man in electronic music at the moment. Hot on the heels of 2017’s ‘Unfurnished Rooms’ comes ‘Wanderlust’, an album which sees a more expansive sonic palette after the minimalistic approach of its predecessor. In a break from making preparations to head out on another concert tour this Autumn, Neil Arthur kindly chatted to The Electricity Club about the making of BLANCMANGE’s latest opus. Continue Reading ›

CREEP SHOW Mr Dynamite

CREEP SHOW is an electronic meeting of minds between eclectic US singer / songwriter John Grant and the dark analogue electro of WRANGLER, the trio comprising Stephen Mallinder, Phil Winter and Benge. The first fruit of this collaboration is 'Mr Dynamite' - an album which was recorded in Cornwall following the move of Benge’s Memetune studio from its original Hoxton location. ‘Mr Dynamite’ is a really fresh and uncontrived sounding album. Continue Reading ›

CREEP SHOW Interview

CREEP SHOW sees a dream team collaboration between US singer-songwriter and professed synth-lover John Grant with the established experimental electro triad of Stephen Mallinder, Benge and Phil Winter, collectively known as WRANGLER. The Electricity Club spoke to CREEP SHOW about the gestation of the album, the impact of Benge’s studio relocating to Cornwall and some of the tech involved in the making of their album ‘Mr Dynamite’. Continue Reading ›

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. Continue Reading ›

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