With her ‘Mothership’ about to land soon, Lake Placid’s I AM SNOW ANGEL has presented a new in-studio performance video of her current single ‘Honeybee’.
The vehicle of songstress and producer Julie Kathryn, her wonderful debut long player ‘Crocodile’ was a quietly subversive statement that crossed modern electronica with some Americana twang and even closed with a wispy drum ‘n’ bass cover of Bruce Springsteen’s ‘I’m On Fire’. Continue Reading ›
2018 was a year of good songs rather than good albums, with many of long players not as consistent or as of high a standard as the bumper crop from the Class of ’17.
Interestingly, three graduates from the 'Some Bizarre Album' made it into the final list, thus highlighting the longevity of that particular vinyl showcase some 37 years on! So with a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2018 presented in alphabetical order… Continue Reading ›
Sitting on the sofa with my now thirteen year old daughter, who over the years has acquired a rather sarcastic sense of humour (who on Earth does she get that from?!) and pondering how to approach this task of reviewing ‘The Electricity Club’ compilation, makes us both burst out with hearty laughter.
After all, she wants to rise to the occasion properly, and review things "just like Mummy does". Children have the innate ability to always tell the truth... Continue Reading ›
Independent Irish electronic artist Margaret O' Sullivan is the lady behind FEMMEPOP.
Dublin is brimming with synth acts now like TINY MAGNETIC PETS, CIRCUIT3, EMBRACE THE CRISIS and iEUROPEAN, so it’s only natural that further south, the city of Cork should want to join in the fun as well. FEMMEPOP’s most recent release was the ‘CYM’ EP. In 2018, FEMMEPOP collaborated with MECHA MAIKO on ‘Tomodachi’ as well as working with ROBERT PARKER on ‘Demise’. Continue Reading ›
When HOWARD JONES’ debut Colin Thurston-produced single ‘New Song’ emerged in September 1983 it would have been very easy to dismiss him as yet another fluffy synthpop act; the single combined an early DEPECHE MODE style lead synth riff, organ chords and lyrics chock-full of optimism and positivity.
Jones’ background at the Royal Northern College of Music in Manchester meant that he melded a more traditional songwriter-driven approach to his prominent electronic productions. Continue Reading ›