Tag: Michael Rother (page 1 of 3)
For Midge Ure, it would be an understatement to say that ‘The 1980 Tour’ has been a success.
Focussing on the VISAGE and ULTRAVOX material that was released in what could be considered as the Year Zero in the synthesizer career of Midge Ure, he has been thrilling audiences what they have long desired… solo live renditions of some of best electronic pop of the Synth Britannia era, with the diminutive Glaswegian playing electric guitar AND synths! Continue Reading ›
‘The Potential Of Noise’ is a touching insight into the late Conny Plank, undoubtedly one of the most innovative and important studio exponents in popular music.
Directed by his son Stephan with Reto Caduff, the film sees him embarking on a journey to rediscover his father’s impact and his importance in music history. As the studio in the converted farmhouse in Wolperath was also the family home, Stephan grew up around the artists who his father worked with. Continue Reading ›
Hailing from Seattle, STATIC SHORE first showcased their brand of tranquil electronic pop in 2016. Comprising of Eric Smith and Shannon Alexander, their airy sound has become popular with various discerning music purveyors.
While 2017's nautical adventure ‘Tides’ indicated further development with tracks like the comparatively uptempo ‘Money & Time’, it has been the glistening dreamy overtures of ‘Sun In My Wake’ that have gained the duo wider attention in 2018. Continue Reading ›
RHEINGOLD were part of Die Neue Deutsche Welle movement. Between 1980 to 1984, RHEINGOLD released three albums ‘Rheingold’, ‘R’ and ‘Distanz’, all working with the legendary Conny Plank.
RHEINGOLD are certainly one of the most under rated acts from the German New Wave, but this year’s excellent new album ‘Im Laut Der Zeit’ was a fine return after an absence of original material for many years. Bodo Staiger kindly took time out to talk about the career of RHEINGOLD. Continue Reading ›
First published in German during the Spring of 2015, Rudi Esch’s ‘ELECTRI_CITY – Elektronische Musik Aus Düsseldorf’ gave a fascinating insider’s account of the Germany’s influential post-war music scene which was centred around the city of Düsseldorf.
The original book has now spawned an English language edition ‘ELECTRI_CITY - The Düsseldorf School of Electronic Music’, two compilation albums and an annual music conference, the third of which will take place on FRIDAY 27TH and SATURDAY 28TH OCTOBER 2017. Among those performing live will be ANNE CLARK and ROBERT GÖRL, while JONATHAN BARNBROOK will be giving a talk entitled ‘Designing Bowie’. Continue Reading ›