Tag: Wrangler (page 1 of 6)
In a career that started in 1978 with the first releases by CABARET VOLTAIRE, Stephen Mallinder has worn many hats with other outfits such as ACID HORSE, SASSI & LOCO, WRANGLER and CREEP SHOW featuring John Grant.
Reflecting on more than four decades in the music business, Stephen Mallinder spoke to The Electricity Club about his solo work, his CABARET VOLTAIRE years and much more. Continue Reading ›
This history of Mute Records and its esteemed founder Daniel Miller is more than well documented. He began taking an interest in synthesizers for making pop music after hearing KRAFTWERK’s ‘Autobahn’.
With a vast and varied portfolio to investigate, The Electricity Club looks back at the creative career of Daniel Miller in music via eighteen of his productions and remixes, with a restriction of one track per artist moniker, presented in yearly, then alphabetical order. Continue Reading ›
Paul Boddy, freelance producer, musician and writer looks back on ten years of The Electricity Club.
I had known Chi Ming Lai previously via another now defunct website. I was very flattered when Chi asked me to start contributing to The Electricity Club. One of the first pieces I did was an interview with ADAMSKI in 2012. Looking back, this was one of the most nerve-wracking things I’d done and completely out of my comfort zone at the time. Continue Reading ›
Developing on a childhood fascination with electronic sound, after finishing art school, Ben Edwards set up a music studio in London and began acquiring discarded vintage synthesizers to equip it.
So by way of a Beginner’s Guide to Benge, here are 18 examples of his work, subject to a limit of one track per artist moniker or combination, presented in yearly and then alphabetical order. As his own blog says “It’s full of stars”! Continue Reading ›
Synth superduo FADER have followed up their 2017 debut album ‘First Light’ with a collection of slightly more minimal introspective songs ‘In Shadow’.
Comprising of Neil Arthur from BLANCMANGE and Benge, best known for his work with WRANGLER and JOHN FOXX & THE MATHS, this is a less aurally harsh proposition than modern day BLANCMANGE. Delicate in disposition, darker and moodier overtones exude with the spectre of insomnia a dominant factor. Continue Reading ›