On paper, certain albums just shouldn’t work and THE HUMAN LEAGUE’s ‘Dare’ is certainly one of those instances. Without Ian Burden, it certainly wouldn’t have sounded the same due to his synth work and pivotal songwriting involvement.
Ian has now dipped his toe back into the music industry with ‘Hey Hey Ho Hum’ and he took time out to kindly speak to The Electricity Club about his early influences, his time in THE HUMAN LEAGUE and the gestation of his new release. Continue Reading ›
For the launch of his first solo album ‘Hey Hey Ho Hum’, Ian Burden held a Q&A in the centre of London to chat about his past, present and future.
A member of THE HUMAN LEAGUE during their imperial pop years between 1981-1986, Burden was joined by his former colleague Jo Callis to answer questions put to them by music journalist David Sinclair from The Times. To begin the evening, there was a playback of ‘Hey Hey Ho Hum’ accompanied by some specially filmed psychedelic visuals. Continue Reading ›
While Colin Thurston is perhaps not as lauded as Conny Plank, Giorgio Moroder and Trevor Horn, he undoubtedly helped shape the sound of a pioneering musical era.
It was Thurston’s work with DURAN DURAN that was to have the biggest worldwide impact. His portfolio indeed reads like a Who's Who? of popular music; The Electricity Club looks back at the career of Colin Thurston via eighteen tracks presented in chronological order, with a limit of one track per album project. Continue Reading ›
Although he became a noted producer during the height of punk, it was with THE HUMAN LEAGUE’s ‘Dare’ that Martin Rushent’s reputation as an electronic music pioneer was forged.
Focussing primarily on his work with synthesizers and technology, The Electricity Club looks back at the post-punk career of Martin Rushent. With a limit of one track per album project and presented in chronological order, here is a Beginner’s Guide to the late, great man… Continue Reading ›
Bridging the gap between Synth Britannia and Acid House, PET SHOP BOYS first found international success with ‘West End Girls’ in 1986.
Since their imperial phase, they have shown their versatility in projects ranging from producing or remixing other artists and running their own Spaghetti Records label to assorted theatre, film and ballet commissions. Presented in chronological order with a limit of one track per artist project, here are 20 tracks by PET SHOP BOYS… collaboratively!
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