Category: Transmissions (Page 2 of 8)

GABI DELGADO 1958 – 2020

Gabi Delgado, lead singer with DEUTSCH AMERIKANISCHE FREUNDSCHAFT, has sadly passed away at the age of 61; the news was announced by his band mate Robert Görl on social media.

Born in Andalusia in Spain, Delgado’s family moved to West Germany to escape the Fascist regime under General Franco. Delgado and Görl met in 1978 as regulars of the punk club Ratinger Hof in Düsseldorf; there they formed DAF with their basic ideas shaped by Delgado doing vocals accompanied by a Stylophone and the classically trained Görl playing drums.

DAF were a reaction to the success of KRAFTWERK; in Rudi Esch’s book ‘ELECTRI_CITY – The Düsseldorf School of Electronic Music’, Delgado said “To me, KRAFTWERK were sounding too boring, too beautiful, too sedate and too sterile” adding “Sequencers and Moroder. That was more important for electronic music than the entire legacy of KRAFTWERK, NEU! and LA DÜSSELDORF”.

Delgado temporarily left DAF so was absent on what became the 1979 instrumental debut album ‘Produkt Der Deutsch-Amerikanischen Freundschaft’ which was recorded as a four piece also featuring Kurt Dahlke, Michael Kemner and Wolfgang Spelman. Delgado returned and DAF moved to London, signing to Mute Records.

They had attracted the attention of Daniel Miller because “they weren’t relying on past rock”. Produced by the legendary Conny Plank, ‘Die Kleinen Und Die Bosen’ became the first full length album to be released by the iconic label in 1980. Allocated the catalogue number STUMM 1 at the suggestion of DAF as “stumm” was the German word for “mute”, it was a mixed studio and live affair with Delgado demonstrating his aggressive vocal ability with grief stricken screams on raucous punky pieces that barely clocked in at two minutes!

But DAF had impressed and were signed by Virgin Records to record an acclaimed trilogy of albums, all produced by Conny Plank. Now down to just a duo of Delgado and Görl, the pair developed a pioneering sound that was later to become known as Electronic Body Music (or EBM) and Industrial.

Robert Görl had become fascinated by the minimalistic possibilities of using a 16 step Korg SQ-10 analogue sequencer to drive a Korg MS20 and ARP Odyssey to provide body power, while Delgado adopted a Teutonic character to his vocal style that was close to shouting with an inflammatory intensity. That Delgado would not vocalise in English only added to DAF’s mystery and appeal.

On stage, Delgado possessed an almost demonic physical presence, while Görl was often stoic and motionless. Using backing tapes, the live focus was almost totally centred on the front man with his ferocious dancing that made Andy McCluskey from OMD look like a member of KRAFTWERK. Delgado’s sweaty physicality had a homoerotic allure that added a sexual tension to DAF’s chanty electronic punk.

The first Virgin album ‘Alles Ist Gut’ in 1981 featured their fierce breakthrough track ‘Der Mussolini’ which flirted with right wing imagery in its sardonic reflections on ideology. However, combined with DAF’s preference for a militaristic aesthetic, it caused controversy and confused observers, attracting a following which Delgado hated; after all, his parents had escaped from the Franco regime in Spain. But DAF liked to shock and Delgado was always unapologetic about the provocation within his lyrics.

‘Alles Ist Gut’ sold well in Germany, effectively turning Delgado and Görl into popstars! The next two albums ‘Gold Und Liebe’ and ‘Für Immer’ maintained the industrial standard with the latter’s highlight being a re-recording of a 1980 Mute ‘Kebab Träume’. Transformed into something much heavier, the memorable if controversial line “Deutschland, Deutschland, alles ist vorbei!” threw more wood onto the provocation bonfire. But despite the fame, all was not well within DAF and the pair fell out under a haze of sex, drugs and sequencer…

Solo albums were recorded with Delgado releasing ‘Mistress’ on Virgin while Görl issued ‘Night Full Of Tension’ on Mute. But the pair had that certain chemistry and reformed in 1985 to produce their only album in English entitled ‘1st Step to Heaven’. Not only was their language approach different but they softened their sound and look, coming over like a Euroboy band on the ‘Lady Marmalade’ referencing pop tune ‘Voulez Vous Coucher Avec Moi’ while embracing funky New York disco on the cult favourite ‘Brothers’.

However, ‘1st Step To Heaven’ was considered a failure and DAF split again. Delgado found solace and joy in the house and techno scene, organising parties with Westbam, as well as establishing the dance labels Delkom Club Control, BMWW and Sunday Morning Berlin. As 2 GERMAN LATINOS in 1992, he recorded the hypnotic ‘Viva La Droga Electronica’ with Saba Kamossa for Mark Reeder’s MFS label.

While Delgado recorded two albums as DAF/DOS with Wotan Wilke, he inevitably reunited with Görl again in 2003 for the album ‘Fünfzehn Neue DAF Lieder’ which saw a more techno influence entering the template.

The pair continued to reunite for DAF shows, but their legacy which had influenced bands such as DEPECHE MODE, LAIBACH, THE INVINCIBLE SPIRIT, NITZER EBB, FRONT 242, NINE INCH NAILS, APOPTYGMA BERZERK, BOYS NOIZE and RAMMSTEIN was celebrated in 2017 with a book and a boxed set, both called ‘Das Ist DAF’.

Released on Grönland Records, the lavish boxed set included ‘Die Kleinen Und Die Bösen’ and the Virgin trilogy, along with remixes by Giorgio Moroder and Westbam among others. But the icing on the cake was what many fans had been waiting for, a brand new DAF single ‘Die Sprache Der Liebe’.

DAF last played London in Autumn 2018 at the Black Celebration event alongside MESH and SUICIDE COMMANDO, while they continued performing throughout Europe in 2019.

Despite most artists mellowing in old age, Gabi Delgado never showed any signs of taming his punky attitude. During a Techno panel as part of the ELECTRI_CITY_CONFERENCE in 2015 at the CCD Conference Centre where a smoking ban was in force, Delgado caused some amusement when he casually lit up a cigarette in the middle of the discussion, reinforcing the rebellious and confrontational aura of DAF.

Stephan Groth of APOPTYGMA BERZERK said “DAF was one of the HUGE inspirations in the early APOP days, and we’ve had nothing but respect and admiration for their output through the years… Gabi, you will stay in our memory ‘Für Immer’. RIP”

Mark Reeder added “So very sad and stunned to hear about Gabi Delgado’s passing. Thank you for the wonderful music and the contribution you made at the start of MFS.”

A fitting tribute came from ‘Das Ist DAF’ biographer Miriam Spies who simply said “Rest in peace amigo. And may there always be enough cigarettes, music and cats where you are now. And orange trees, of course.”


Text by Chi Ming Lai
Photos by Simon Helm
24th March 2020

10 Years of ELECTRICITYCLUB.CO.UK – ANOTHER ANNIVERSARY RETROSPECTIVE

Paul Boddy, freelance producer, musician and writer looks back on ten years of ELECTRICITYCLUB.CO.UK.

I had known Chi Ming Lai previously via another now defunct website which I used to contribute a variety of bootleg remixes of THE HUMAN LEAGUE and DEPECHE MODE. Once we were on each other’s radars and had moved on, I was very flattered when Chi asked me to start contributing to ELECTRICITYCLUB.CO.UK.

One of the first pieces I did was an interview with ADAMSKI in 2012. Looking back, this was one of the most nerve-wracking things I’d done and completely out of my comfort zone at the time. This was primarily because a) he was a bit of a musical hero of mine as a previous band I was in had covered ‘Killer’ and b) I was faced with the proposition of trying to interview the guy over the phone and then record it using a mobile digital recorder (untried technology for me).

Despite his mobile signal dipping in and out (as he was ambling around London at the time I interviewing him) and the batteries running out on my recorder half-way through, the interview went well and I got a huge sense of achievement once the piece had been transcribed and eventually published.

The main enjoyment I get from occasionally contributing to the site is the ability to interview bands and people within the scene, Chi has kindly put some interviews my way including WANG CHUNG, SHRIEKBACK, KOSHEEN, CHICANE, WRANGLER and CREEP SHOW as well as two of my own personal favourites John Foxx and Ulrich Schnauss. Having the platform to interact with these kind of artists is mind-blowing for me, especially the ones who I have admired and in some places influenced my own musical development. My other approach and contribution to the site is tracking down (some may call this stalking!) artists via social media and approaching them with a view to ELECTRICITYCLUB.CO.UK featuring them in its ‘Missing in Action’ series.

Although a bit hit and miss as some artists don’t always respond when messaged, it has borne fruit with many artists accepting and using the opportunity to reflect and look back on their tenure in the music industry.

In terms of the people I’m most proud of ‘snagging’ in this manner are Scott Simon (OUR DAUGHTER’S WEDDING), Dave ‘Dee’ Harris (FASHIØN), Jerome Froese (TANGERINE DREAM) and Rob Dean (JAPAN). Because of the big interviews already done on the site by Chi, I find that this gives a lot of traction when cold approaching these kind of artists.

However, the icing on the cake was when Chi and myself spent a glorious few hours in a Liverpool Street pub with Stephen Singleton and Mark White from ABC and VICE VERSA. Getting this interview was a long process which started when Stephen contacted me in 2015 with regards to reviewing the VICE VERSA box set; this led to linking up with Mark and after a long period of negotiation and Facebook messenger chats, a face to face interview in 2019 with lots of laughter.

For me this has definitely been my highlight of ELECTRICITYCLUB.CO.UK and although the transcribing of the interview was one of the longest processes I’ve done (the guys LOVED to chat!), the sense of achievement upon completion was huge.

Moving away from the artists themselves and onto electronic synth music itself, Chi and myself have quite differing tastes in music, but with enough crossover that we can still happily work together. The material I favour tends to be male-fronted, often dance-inflected and also with elements of guitars thrown into the mix (see BATTLE TAPES, MAPS, MAN WITHOUT COUNTRY and SPLEEN UNITED).

If you are a reader of the site, you won’t be surprised to hear that along with the other ELECTRICITYCLUB.CO.UK contributors, I continue to be disappointed with the lack of decent UK based synth acts and the exposure that so many second-rate bands continue to get. For a country that has such an amazing heritage of electronic music (like DEPECHE MODE, YAZOO, THE HUMAN LEAGUE, EURYTHMICS, OMD… I can go on), why is it that there are so few acts of quality which are continuing the tradition of these incredible acts?

What grinds my gears the most is the complete lack of emphasis on quality vocals that some UK synth bands have; for many it appears that once a synth backing track has been made, the process of adding vocals is treated as an afterthought. Very little attention is paid to crucial things like tuning / character / lyrics, all traits which have made vocalists such as Alison Moyet and Annie Lennox titans in their field. Whether this will improve and we will get another CHVRCHES or MIRRORS is doubtful, but I live in hope!

Although the original music that I write and produce (J-Pop / K-Pop) isn’t the kind of thing that ELECTRICITYCLUB.CO.UK would champion, it still features a lot of electronics and I have been fortunate to have had success with some major Japanese artists including ARASHI and E-GIRLS (who covered YMO’s ‘Rydeen’).

I continue to write and produce for this market which is great fun. I continue to enjoy performing live as well in various cover bands.

Signing off, ELECTRICITYCLUB.CO.UK has been a wonderful platform for me and has enabled me to interact with many of my musical heroes and also review some of their work too, long may it continue…


Text by Paul Boddy
17th March 2020

10 Years of ELECTRICITYCLUB.CO.UK – STILL PUSHING THE ENVELOPE

ELECTRICITYCLUB.CO.UK celebrates its tenth birthday and it really has been synthly the best.

At the HEAVEN 17 aftershow party for their triumphant gig at The Magna Science Park on 6th March 2010, following chats with Glenn Gregory, Martyn Ware, Paul Humphreys and Claudia Brücken, interview opportunities opened up. It was obvious there was gap waiting to be filled for a quality web publication that featured the best in new and classic electronic pop without having to lower itself to using the dreaded “80s” label.

ELECTRICITYCLUB.CO.UK was it and became reality on 15th March 2010. Electronic pop music didn’t start in that Thatcher decade and certainly didn’t end there either. So there was even an editorial diktat which banned ELECTRICITYCLUB.CO.UK’s writers from using the lazy”80s” term as a reference. Tellingly, several PR representatives said that one of the site’s main appeals was that it avoided the whole nostalgia bent that had been presented by both virtual and physical media.

At the time, kooky female fronted keyboard based pop like LA ROUX, LITTLE BOOTS, LADYHAWKE, LADY GAGA and MARINA & THE DIAMONDS were among those touted as being the future at the time. But it proved to be something of a red herring, as those acts evolved back into what they actually were, conventional pop acts.

ELECTRICITYCLUB.CO.UK preferred the sort of innovative synthpop as outlined in BBC4’s Synth Britannia documentary.

Wth the next generation of artists like MARSHEAUX, VILE ELECTRODES, VILLA NAH and MIRRORS more than fitting the bill, that ethos of featuring pop music using synthesizers stuck too.

Meanwhile, ELECTRICITYCLUB.CO.UK’s portfolio expanded swiftly with key personalities such as Rusty Egan, Sarah Blackwood, Richard James Burgess, Warren Cann, Chris Payne, Thomas Dolby, John Foxx, Andy McCluskey, Neil Arthur, Alan Wilder, Mark Reeder, Gary Langan, Jori Hulkkonen, Howard Jones, Mira Aroyo, Sarah Nixey and Hannah Peel among those giving interviews to the site during its first two years.

ELECTRICITYCLUB.CO.UK has always prided itself in asking the questions that have never usually been asked, but which fans want to know the answers to. And it was with this reputation for intelligent and well researched interviewing that in March 2011, the site was granted its biggest coup yet.

Speaking to Stephen Morris of the then-on hiatus NEW ORDER, the drummer cryptically hinted during the ensuing chat that Manchester’s finest would return by saying “I never say never really”.

And that is exactly what happened in Autumn of that year and the band have been there since, as popular as ever and still making great music with the release of ‘Music Complete’ in 2015.

Monday 21st March 2011 was an interesting day that partied like it was 1981 when it saw the release of albums by DURAN DURAN, THE HUMAN LEAGUE and JOHN FOXX & THE MATHS. Also in 2011, Mute Records celebrated their influential legacy with a weekender also at London’s Roundhouse which culminated in ERASURE, YAZOO and THE ASSEMBLY performing in the same set.

Despite the ‘Brilliant’ return of ULTRAVOX, 2012 paled in comparison after such a fruitful year and several acts who were featured probably would not have gained as much coverage in more competitive periods. With pressure from outsiders as to what was hot and what was not, this was the only time ELECTRICITYCLUB.CO.UK felt it was obliged to support a domestic scene.

But realising acts like HURTS and STRANGERS were actually just jumping on an apparent synth bandwagon and possessing more style than substance, ELECTRICITYCLUB.CO.UK decided to change tact and only featured acts it felt truly passionate about, even if it meant upsetting the wider synth community. The reasoning being that just because a band uses a synthesizer doesn’t mean it is good.

During this time, MIRRORS sadly disbanded while VILLA NAH mutated into SIN COS TAN. But the year did see the launch of CHVRCHES who stood out from the crowd with their opening gambit ‘Lies’.

With their Taylor Swift gone electro template, Lauren Mayberry and Co managed to engage an audience who didn’t know or care what a Moog Voyager was, to listen to synthpop!

2013 turned out to be one of the best years for electronic pop since its Synth Britannia heyday. What ELECTRICITYCLUB.CO.UK achieved during this year would take up a whole article in itself… there were high profile interviews with Alison Moyet, Gary Numan and Karl Bartos while OMD released the album of the decade in ‘English Electric’. PET SHOP BOYS made up for their ‘Elysium’ misstep with ‘Electric’ while there was finally a third volume in BEF’s ‘Music Of Quality & Distinction’ covers series.

Although 2014 started tremendously with ELECTRICITYCLUB.CO.UK being invited to meet Karl Bartos and Wolfgang Flür in Cologne, the year suffered next to quality of 2013.

The interviews continued, particularly with key figures from the Synth Britannia era including Midge Ure and the often forgotten man of the period Jo Callis who was a key member of THE HUMAN LEAGUE during their imperial phase.

But the year saw grandeurs of delusion at their highest. There was the clueless Alt-Fest debacle which saw the organisers play Fantasy Festival with no cash to underwrite the infrastructure to enable it to actually happen!

Sadly today, there are still egotistic chancers organising events with zero budget and the money from ticket sales being fleeced to fund their holidays. But these artificial factors are rarely considered and so long as there are lower league artists desperate to play for nowt and a misguided enhancement in profile that is often on a platform that provides minimal exposure anyway, then the confidence tricks will continue.

2015 saw the local emergence of Rodney Cromwell and Gwenno, while the majestic Swedish duo KITE proved that they were the best synth act in Europe with the ‘VI’ EP and their impressive live show.

It was also the year when ERASURE front man Andy Bell gave his first interview to ELECTRICITYCLUB.CO.UK to offer some revealing insights.

Making something of a comeback after a recorded absence of nearly eight years, Jean-Michel Jarre presented his ambitious two volume ‘Electronica’ project which saw collaborations with a varied pool of musicians including Pete Townsend, Lang Lang, John Carpenter, Vince Clarke, Hans Zimmer, Cyndi Lauper, Sebastien Tellier and Gary Numan.

VILLA NAH returned in 2016, as did YELLO with Fifi Rong as one of their guest vocalists while APOPTYGMA BERZERK went instrumental and entered the ‘Exit Popularity Contest’. Riding on the profile generated from their ‘A Broken Frame’ covers album, MARSHEAUX released their biggest-selling long player to date, a two city concept in ‘Ath.Lon’. This was also the year that ELECTRICITYCLUB.CO.UK first became acquainted with the analogue synthesizer heaven of Johan Baeckström, a modern day Vince Clarke if ever there was one.

2017 saw a bumper crop of great albums from the likes of I SPEAK MACHINE, LCD SOUNDSYSTEM, SOULWAX, IAMX, GOLDFRAPP and DAILY PLANET, while veterans such as Alison Moyet and Gary Numan produced their best work of the 21st Century.

However DEPECHE MODE unleashed their most dire record yet in ‘Spirit’, a dreary exercise in faux activism bereft of tunes. Salt was rubbed into the wound when they merely plonked an underwhelming arena show into a stadium for their summer London show.

The trend was to continue later in 2019 as DEPECHE MODE just plonked 14 albums into a boxed set, while OMD offered an album of quality unreleased material in their ‘Souvenir’ package.

And with DEPECHE MODE’s sad descent into a third rate pseudo-rock combo during the last 15 years to appease that ghastly mainstream American institution called The Rock and Roll Hall Of Fame with guitars and drums, Dave Gahan in particular with his ungrateful dismissal of the pioneering synth-based material with which he made his fortune with, now has what he has always coveted.

And don’t get ELECTRICITYCLUB.CO.UK started on the 2019 Moog Innovation Award being given to Martin Gore, a real insult to true synth pioneers if ever there was one, including Daniel Miller, Vince Clarke and Alan Wilder, the three men who actually did the electronic donkey work on those imperial phase DEPECHE MODE albums! Gore may have been a very good songwriter during that time, but a synth innovator? Oh come on!?!

With regards Synth Britannia veterans, new albums in 2017 from Richard Barbieri and Steve Jansen saw a revived interest in JAPAN, the band with which they made their name.

Despite releasing their final album ‘Tin Drum’ in 1981, as a later conversation with one-time guitarist Rob Dean proved, cumulatively from related article views, JAPAN became the most popular act on ELECTRICITYCLUB.CO.UK.

The return of SOFT CELL dominated 2018 with a lavish boxed set that was not just comprised of previously released long players, new songs, new books, a BBC documentary and a spectacular farewell show at London’s O2 Arena.

Meanwhile, adopting a much lower profile were LADYTRON with their comeback and an eventual eponymous sixth album. A Non Stop Electronic Cabaret saw Canadian veterans RATIONAL YOUTH play their first ever UK gig alongside PAGE and PSYCHE, but coming out of Brooklyn to tour with ERASURE was REED & CAROLINE.

EMIKA was ‘Falling In Love With Sadness’ and Swedish songstress IONNALEE showcased one of the best value-for-money live presentations in town, with a show that surreal imagined Kate Bush at a rave!

But from China came STOLEN, one of the most exciting bands in years who were then later rewarded for their graft with a European tour opening for NEW ORDER.

2019 was the year when synthwave graduates Dana Jean Phoenix and Ollie Wride were coming into their own as live performers, while electronic disco maestro Giorgio Moroder embarked on a concert tour for the first time with his songs being the true stars of the show.

Gary Daly of CHINA CRISIS gave his first interview to ELECTRICITYCLUB.CO.UK to tie in with his solo album ‘Gone From Here’, while a pub lunch with Mark White and Stephen Singleton mutated into an extensive chat about their days in ABC. Lloyd Cole adopted a more synthesized template on ‘Guessworks’ and Britpop went synth as GENEVA’s Andrew Montgomery formed US with Leo Josefsson of Swedish trio LOWE.

If ELECTRICITYCLUB.CO.UK does have a proudest achievement in its first ten years, then it is giving extensive early coverage to VILLA NAH, MIRRORS, VILE ELECTRODES, METROLAND, TINY MAGNETIC PETS and SOFTWAVE, six acts who were later invited to open on tour for OMD. Partly because of this success, some of those who were less talented felt aggrieved despite feeling an entitlement to be featured. If an act is good enough, the fact that ELECTRICITYCLUB.CO.UK hasn’t featured them should not matter, especially as other electronic and synth blogs are available. After taking its eye of the ball once before in 2012, ELECTRICITYCLUB.CO.UK maintained a trust of its own gut instinct.

Meanwhile, its stance has been tested by those shouting loudest who instantly champion what they perceive as the next big thing like sheep, without really looking ahead at a wider picture. However, TRAVIS on VSTs is just not ELECTRICITYCLUB.CO.UK’s thing frankly…

ELECTRICITYCLUB.CO.UK’s participation in the annual ELECTRI_CITY_CONFERENCE in Düsseldorf for on-stage interviews with Rusty Egan, Chris Payne, Mark Reeder and Zeus B Held was another high profile engagement to be proud of. Then there were six live events and five rounds of hosting ‘An Audience with Rusty Egan’ in one of the most unenviable but highly entertaining refereeing assignments in music 😉

Other highlights over the last ten years have included ELECTRICITYCLUB.CO.UK’s 2015 career retrospective on German trio CAMOUFLAGE being edited and used as booklet notes for the Universal Music sanctioned compilation CD ‘The Singles’.

As 2020 settles in, highly regarded artists within the electronic community continue to engage with ELECTRICITYCLUB.CO.UK. Neil Arthur recently gave his seventh interview as BLANCMANGE and his tenth interview overall, taking into account his side projects FADER and NEAR FUTURE. Not far behind, Martyn Ware has also been a regular interviewee having spoken to the site on six occasions while Paul Humphreys has been interviewed no less than five times.

ELECTRICITYCLUB.CO.UK is still pushing the envelope, continuing to reflect the interests of people who love the Synth Britannia era and have a desire to hear new music seeded from that ilk.

With artists like ANI GLASS, IMI, KNIGHT$, NINA, MECHA MAIKO, GEISTE and PLASMIC among those on the cusp of a wider breakthrough, there is still more excellent music still to be created, discovered and savoured.

ELECTRICITYCLUB.CO.UK gives its sincerest thanks to everyone who has taken the time read any article on the site over the last ten years, it is greatly appreciated.


Text by Chi Ming Lai
Image Design by Volker Maass
16th March 2020, updated 29th Janaury 2021

10 Years of ELECTRICITYCLUB.CO.UK – BIRTHDAY GREETINGS FROM PEOPLE YOU MIGHT KNOW

Over the last 10 years, ELECTRICITYCLUB.CO.UK has been a voice for the discerning enthusiast of electronic pop.

With a balancing act of featuring the classic pioneers of the past alongside the emergent new talent for the future, the site has become well known for its interviews and reviews.

It asks the questions people have always wanted to ask while celebrating the continuing development of the synthesizer in popular music.

All this while holding to account those who deliver below expectations, assuring the listener that if they are perhaps not hearing the genius that some devoted fans are declaring, then ELECTRICITYCLUB.CO.UK is there to assist in affirming or denying that assessment.

But when artists do deliver, they tend to build a strong relationship with ELECTRICITYCLUB.CO.UK. So with the site celebrating its first 10 years, presented here are greetings and messages from some people who you might know…


Rusty Egan, VISAGE

ELECTRICITYCLUB.CO.UK is 10 years old with the synth knowledge of a 50 year old. If I can’t remember something electronic I don’t Google, I visit ELECTRICITYCLUB.CO.UK!


Glenn Gregory, HEAVEN 17

ELECTRICITYCLUB.CO.UK and its wonderful leader Chi is like the League Of Super Heroes for Electronic Music. Our future is safe in his hands.

I have been involved in electronic music making for 40 years, yet one half hour conversation with Chi makes me realise how little I know. From then to now, he’s knows!


Neil Arthur, BLANCMANGE

Chi has been brilliantly supportive of BLANCMANGE, for which I am very grateful. We’ve always managed to have a good laugh during our interviews, as he would ask me about the darkness and gloom lying within a given BLANCMANGE song! I look forward to our next chat.

ELECTRICITYCLUB.CO.UK has a very important place and a role to play, in spreading the news of electronic music, new and old, far and wide. Here’s to the next ten years. Well done and good luck.


Gary Daly, CHINA CRISIS

Thanks for all your wonderful support Chi, so glad someone has taken the time to ask some great questions…


Sarah Blackwood, DUBSTAR

I love the website. It’s a treasure trove of informative articles, both a very readable historical archive and a forward looking platform for encouraging new talent. In what can be traditionally and lazily categorised as a very male dominated scene, Chi encourages great music regardless of gender and I enjoy the updated Spotify playlist if I’m ever stuck for what to listen to whilst running.

As regards interviews, it’s always enjoyable – Chi is a bit too easy to talk to and his passion for music and synth geekery shines through – heaven forbid you try sneaking a (cleared) sample past him, he will spot it!

Is it 10 years already? Happy birthday ELECTRICITYCLUB.CO.UK!


Chris Payne, DRAMATIS

With 18,000 likes and 12,000 Facebook followers; ELECTRICITYCLUB.CO.UK under the guidance of its purveyor Chi Ming Lai, has become the leading place for the Electronic Music fan. Intelligent, well written and well researched journalism with a great team of writers presenting an array of brilliant fascinating new acts (and some older ones as well!), hopefully it will continue for at least another 10 years.


Tracy Howe, RATIONAL YOUTH

Congratulations to ELECTRICITYCLUB.CO.UK on ten years of brilliant reporting of, and support to, the electronic pop scene. ELECTRICITYCLUB.CO.UK is the authoritative publication “of record” for fans and makers of synthpop alike and is the international rallying point and HQ for our music. We look forward to many more years of in-depth interviews and probing articles, all in the beautifully written style. Happy birthday ELECTRICITYCLUB.CO.UK!


Mark White, ABC + VICE VERSA

Chi Ming Lai and Paul Boddy are two of the most learned, nay, erudite music journalists I’ve had the pleasure of meeting, a rare experience indeed to be quizzed by a pair who know their onions. And unusual integrity. Chi promised me if we asked, he would turn off the tape recorder and it would never appear in print. And has been true to his word. This has literally never happened in my career. Also these two chaps are bloody good fun. I laughed til I cried. Go see the movie!


Rob Dean, JAPAN

10 years of ELECTRICITYCLUB.CO.UK? Only one for me (yes, I know…), but it’s heartening to know that Chi and the crew have created a site so cutting edge for us die-hard fans of electronica. Having read the highly entertaining VICE VERSA chaps interview, I was delighted to be asked to do my own, confident that the questions would be thoughtful and intelligent and yes, a little bit probing too. Here’s to the next 10 and thank you!


Richard Silverthorn, MESH

On several occasions I have done interviews for ELECTRICITYCLUB.CO.UK. Every time I felt like they actually cared about the music and scene and put some educated thought into the questions. It’s good to feel that enthusiasm.


Tom Shear, ASSEMBLAGE 23

Congratulations on 10 years of covering and supporting the scene! Here’s to another 10 and beyond…


Sophie Sarigiannidou, MARSHEAUX

I first met Chi at Sparrowhawk Hotel, Burnley in November 2000 for an OMD convention. It took me 13 hours to reach by train to Burnley from London due to bad weather. I saw him playing live (!!!!) with his covers band THE MESSERSCHMITT TWINS, they were having their time of their life, dancing and singing, so so happy! Us too of course!! From that moment on we became friends. Then he supported our band MARSHEAUX from the very early beginning and I thank him a lot for that!

It’s always great having Chi asking questions for interviews. We as a band had our best interviews with ELECTRICITYCLUB.CO.UK! We spent a lot of hours talking about the history of electronic music and the future of synthpop. My favourite articles are the “Beginners Guide To…” series, you have a lot to learn from these pages!!! Happy Anniversary Chi, we’ve indeed had 10 amazing years with ELECTRICITYCLUB.CO.UK. I hope and wish the next 10 to be even better.


Mark Reeder, MFS BERLIN

Congratulations and a very Happy 10th Birthday! Over the past 10 years, ELECTRICITYCLUB.CO.UK has developed into becoming the leading website for all kinds of electronic synthpop music. It has become a familiar friend, because it is something I can personally identify with, as it is maintained by fans, for fans.

However, it is not only commendable, but can also be quite critical too, and that is a rare balancing act in the contemporary media world.

It has been a great source of regular electronic music information. I have discovered and re-discovered many wonderful electronic artists, and regularly devour the in-depth interviews and features.

Through ELECTRICITYCLUB.CO.UK, I have been introduced to and worked with some of the wonderful artists presented on your pages, such as QUEEN OF HEARTS or MARSHEAUX and in return, it has supported my work, my label and my artists too, and I thank them for that! We can all celebrate ten years of ELECTRICITYCLUB.CO.UK and together, look forward to the next 10 years of inspiring electronic music.


Per Aksel Lundgreen, SUB CULTURE RECORDS

ELECTRICITYCLUB.CO.UK is a highly knowledgeable and very passionate site! They are digging out rarities from the past as well as exploring and discovering new acts, giving them attention and writing about them often before anybody else around have even heard of them.

This makes ELECTRICITYCLUB.CO.UK a very interesting page to follow, as their in-depth stories about older bands “missing in action” as well as the latest stuff “in the scene” gets perfectly mixed together, giving you all you want basically in a one-stop-site for everything electronic. I also love the way they give attention to unsigned / self-released bands and small indie-labels, giving everybody a fair chance as long as the music is good enough. Congrats on the 10th Anniversary, well deserved!


Jane Caley aka Anais Neon, VILE ELECTRODES

When VILE ELECTRODES were just starting out, we heard through the Facebook grapevine about a new electronic music blog called ELECTRICITYCLUB.CO.UK. We had a London gig coming up, and had recently made a promo video for our song ‘Deep Red’, so we dropped them an email about both, not expecting to hear back, since we were virtually unknown.

However it transpired they really liked our sound, likening us to “Client B born and raised in the Home Counties fronting Dindisc-era ORCHESTRAL MANOEUVRES IN THE DARK”.

ELECTRICITYCLUB.CO.UK subsequently gave this very description to Andy McCluskey, which piqued his interest such that he checked out our music. We were invited to tour Germany with OMD as a direct result!


George Geranios, UNDO RECORDS

Chi is a really rare quality of a man. He is passionate about music which is so obvious of course while reading ELECTRICITYCLUB.CO.UK. Through our mutual love for OMD, we discovered that we have the same musical taste. ELECTRICITYCLUB.CO.UK helped us promote all of Undo Records projects and finally we ended collaborating and releasing this brilliant double CD compilation! Chi, I wish you health and to continue writing the best music texts in the industry!!


Adam Cresswell, HAPPY ROBOTS RECORDS

Some people say ELECTRICITYCLUB.CO.UK doesn’t support the scene but I’ve not found that to be the case; having been a part of two gigs and the recent CD, I know how much blood, sweat and tears they put into what they do. ELECTRICITYCLUB.CO.UK might get a few people’s back-up, but they know their stuff when it comes to synth-driven music and I’m massively grateful that they have supported so many Happy Robots artists since 2010.


Stuart McLaren, OUTLAND

It’s no secret that the burgeoning new synthwave genre shares a common history with the great synthesizer acts and pioneers of the 80s, like Dolby, Jones, Luscombe, Wilder, Daly et al who created new soundscapes with what we now define as vintage synths.

These sounds are brought back to life by pioneers in their own right like FM ATTACK, GUNSHIP, ESPEN KRAFT and BETAMAXX to name a few.

ELECTRICITYCLUB.CO.UK and Chi Ming Lai have always been at the forefront of championing, interviewing and reviewing the luminaries of this great instrument past to present, and are likely to remain the de facto voice of the synth scene well into the future… we agree on one thing and that is FM-84’s singer Ollie Wride is deffo one to watch as a star for the future!


Paula Gilmer, TINY MAGNETIC PETS

Happy Birthday ELECTRICITYCLUB.CO.UK. thank you for your support. You never fail to impress with your encyclopedic knowledge of synthpop. Here’s looking forward to 10 more!


Mr Normall, NUNTIUS

I’ve been following most of my favourite artists since they were brand new and often this means it’s a period of 30+ years, yet when reading articles and interviews by ELECTRICITYCLUB.CO.UK, I have learned every time something new about of my favourites.

Following ELECTRICITYCLUB.CO.UK have made me pay attention to several new acts that I would likely know nothing about if they hadn’t appeared on the page.


Catrine Christensen, SOFTWAVE

An outstanding magazine supporting new and upcoming artists whom they choose carefully as they have great taste of music regarding to their huge knowledge within the synthpop genre, when it comes to their writing and promotion – there’s no one like them. Happy birthday 😘


Elena Charbila, KID MOXIE

Happy 10th birthday ELECTRICITYCLUB.CO.UK! Your love and commitment to the synth community is unparalleled and your support has meant a lot to me on a professional but also on a personal level. Here’s to the next 10 years! 😘


Alexander Hofman aka Android, S.P.O.C.K

I’m a fan of ELECTRICITYCLUB.CO.UK for several reasons. You showed up when I perceived the majority of the electronic scene had turned more and more harsh; as much as I can appreciate an occasional emotional outburst, I’m a happy guy and thus I’m into pop – ELECTRICITYCLUB.CO.UK showed, and still shows me that there’s still electronic pop music being made. Good electronic pop! Which makes me glad, as I find the greater part of the generally popular darker scene to be of lower musical quality.

Moreover, ELECTRICITYCLUB.CO.UK writes in an amazingly happy tone – remember, I’m a happy guy, so it’s right up my alley. Add the fact that ELECTRICITYCLUB.CO.UK regularly publishes interesting articles, using intelligent and varied vocabulary, shows enormous knowledge and interest of the theme, the style, the scene – and I’m hooked. Thanks for being around – keep up the good work, it’s much needed! And congratulations – let’s grab a beer again! 🍻


Text compiled by Chi Ming Lai
15th March 2020

10 Years of ELECTRICITYCLUB.CO.UK – A DECADE OF MEMORIES

Ian Ferguson, founder member of RAINLAND, one-time member of ANALOG ANGEL and occasional contributor looks back from both sides of the fence at ELECTRICITYCLUB.CO.UK

It’s appropriate that a 10th anniversary is celebrated with tin or aluminium given the current state of the UK electronic scene (spoiler, there is no ‘scene’, just folk making scenes) as when looking for gold, you are more likely to dig up an old mouldy dog food can than a nugget of rare and precious metal.

Like the UK industrial scene before it, this loose of collection of folk making noise is slowly eating itself alive in the pursuit of success that was never going to be attainable in first place.

Seriously, the number of grown adults acting as though they are members of a million selling act rather than one that can’t fill a phone box would be hilarious if it wasn’t so toxic in the way it manifests itself, but more of that later..

So what of my last decade as a fan of electronic music, a contributor to ELECTRICITYCLUB.CO.UK and someone that has thrown out a few releases of my own in that time? Highlights and lowlights abound and here are a few of them…

‘Electronic music, what like 80s stuff…?’

The last decade has been in turns brilliant and infuriating for a fan of synth music. The re-emergence of some of my favourite bands producing music of a similar quality to their releases from the height of their fame has been particularly gratifying. The number of excellent new bands that have come through in this time has also been a joy to behold. This is due primarily to the real advances in technology which has allowed anyone with a laptop and a few plugins to make music.

These tools also mean that bands can now play live easier than ever, not needing to haul a van load of keyboards around to replicate their sound. Still however we see folk ‘jazz hands-ing’ live, thinking dressing up in age-inappropriate clothing and dancing around like you are holding in a wee is a live performance… news just in, it’s not…

This of course means you have to wade through tonnes of chaff to find the wheat and ELECTRICITYCLUB.CO.UK has been invaluable in doing a lot of the ‘leg work’ in this task.

The best releases of the last decade would fill a number of Op Ed pieces but standouts include the ‘English Electric’ and ‘The Punishment of Luxury’ albums by OMD, which show that if you stick with what you know the quality will shine through, the ULTRAVOX album ‘Brilliant’ and numerous KITE EPs.

The aforementioned ‘scene’ featured a number of standout releases from the likes of VILE ELECTRODES, ASSEMBLAGE 23 and MESH who let the music do the talking and reaped suitable rewards. These bands and a number of others all show how to conduct yourself in a professional way without fermenting what basically amounts to a hate campaign against those that don’t subscribe to your narrow view of how things are done.

The childishness of certain corners that house a handful of bands and hangers on from the UK has been one aspect of the last 10 years that I personally could do without. These self-proclaimed ‘scene’ gatekeepers have actually done themselves more damage than good.

It’s funny that they think they are all in a self-supporting community when any one of them would throw the others under the bus (a tour one, you can come on-board if you sell 30 tickets to each show, then you can pretend you are an in-demand support) given the chance of a gig with a named act or coverage on this site. This petulance has escalated more recently to thinly veiled racism and this needs to be stomped out, preferably by a big pair of New Rock boots. They need to grow up and concentrate on producing decent music and not poorly thought through opinions.

‘I prefer rogues to imbeciles, because sometimes they take a rest…’ Alexandre Dumas

I have been writing for ELECTRICITYCLUB.CO.UK for around half of its existence and I have had the chance to meet some of my heroes thanks to this association. Highlights include bumping into Imogen Heap who on hearing I had written the ELECTRICITYCLUB.CO.UK review of her ‘Sparks’ album, thanked me for my kind words and asked for a selfie (a proper fan boy moment), recommending soft synths to Martyn Ware and Green Gartside, chatting with John Foxx and seeing quotes from my reviews being used in NO-MAN promotional ads.

You only need to look at the people that give up time to speak to ELECTRICITYCLUB.CO.UK and the PR people that approach ELECTRICITYCLUB.CO.UK for coverage to understand how highly the site, and by extension site founder Chi Ming Lai, is held by the people in the know in the industry. From NEW ORDER to OMD, BLANCMANGE to Midge Ure, various members of JAPAN to HEAVEN 17 all have spoken openly at length about their careers giving insight to the people behind the music we all love.

And what other site can discuss an obscure electronic release by a leading light of the UK Prog movement one minute and chat with Synthesizer Patel the next without missing a beat or it appearing to jar?

‘You’re still in a band… Aren’t you a bit old for that behaviour…?’

I have come back to music this last decade after a considerable time out from writing and performing. I am sure there are a number of folk that wish I had stayed ‘retired’ and I accept that though I will be setting up a website soon called The Electrikery Club to let them all know why they are wrong, I am right and to give some much needed exposure to my mate Colin’s magnum opus recorded on a VL-Tone on his mum’s old Bush tape recorder…

Since returning to the fray, I have toured with some well-known names, played some big festivals both in the UK and further afield (actual festivals, not vanity gigs with 38 bands on the bill in a pub in Peckham), seen folk do questionable things with chicken nuggets and on more than one occasion, almost killed a well-known electronic percussionist and filthy hippy (who may or may not be my son…)

I have spent way way too long listening to subtle mixes of the same song, locked in windowless rooms with my musical compatriot Derek MacDonald and eaten considerably more motorway service station sarnies than is healthy. And you know what, I wouldn’t change one bloody minute of it.

I would even do Glastonbury again with Keith Trigwell and that included watching him dancing and let’s be honest, nobody wants that…

When a week is a long time in politics, a decade publishing music related guff on the web is an eternity… ELECTRICITYCLUB.CO.UK has been around for 10 years and I get the feeling this is really just the start of the journey. Stay on-board, it’s been and will continue to be one hell of a ride


RAINLAND’s ‘Touch’ EP is available as a free download from https://rainland.bandcamp.com/releases

https://www.rainland.co.uk/

https://www.facebook.com/RainlandtheBand/

https://www.electricityclub.co.uk/rainland-interview/


Text by Ian Ferguson
14th March 2020

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